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How can the intangible absolute be made visible on the canvas?

In his essay, Professor Dr. Michael Kastor demonstrates how the non-representational art of abstraction and the ordering structures of Cubism have expanded and transformed traditional religious painting. Alongside the groundbreaking impulses from Kandinsky to Picasso, the author also offers insights into his own work. His own sacred artworks and Christ icons have emerged from his abstract, Cubist studies of form. An inspiring contribution on the enduring power of abstract sacred art.