With stone works of art, your own green areas can be an impressive way a personal touch. Hohlguss statues offer a proven combination of beauty and functionality. In addition to their existence as decorative eye-catchers, garden figures from this material convince with practical advantages: their lower weight makes it easier to handle, and surprisingly, with correct processing, they even have a higher pressure strength than comparable full cast figures.
The classic stone cast , also known as a plastic , consists of a mixture of cement, sand and other additives. However, hollow cast figures (e.g. from lava stone cast) differ in their special manufacturing method-the art concrete is poured into a hollow form, which creates an even wall thickness while the interior remains empty. This process not only saves material and lowers the costs, but also protects precious resources.
The selection of stone cast figures for the garden is diverse. Available in various sizes and shapes, they offer enormous freedom of design for every garden style. In contrast to natural stone , garden lovers do not have to dig deep into their pockets - hollow casting represents an inexpensive alternative without losing aesthetic effect.
Especially for hobby gardeners, this opens up the opportunity to integrate green oasis
Crafts with tradition: hollow casting combines aesthetics and function
For centuries, the technique of hollow casting has combined masterful craftsmanship with practical use. This cast form has developed into a preferred process for impressive garden decoration.
The advantages of the hollow casting in the garden
The hollow casting offers decisive advantages compared to full cast, especially for sculptures for outdoor use . Surprisingly, a properly produced hollow casting has a higher compressive strength than a comparable full cast. The significantly lower weight also enables effortless handling and flexible placement in the garden.
For garden owners, the following properties prove to be particularly valuable:
- Cheaper production through reduced material consumption
- Problem -free installation Even large -format sculptures without heavy device
- Lighter transportability and easy to place in the garden
From ancient Greece to today
The roots of the hollow casting return for millennia. Hollow casting processes were used early in ancient Greece. The oldest known hollow cast plastic-the so-called " Karlsruhe Frauenkopf " from the second half of the 7th century BC-comes from Crete.
Particularly noteworthy: Rhoikos and Theodoros . The heyday of this artistry was experienced in the 5th and 6th centuries, whereby the techniques at that time in the core correspond to today's wax outlawing process.
The year 1784 marked a milestone for the German craft tradition - in Lauchhammer the sculptors Thaddäus Ignaz Wiskotschill and Joseph Mattersberger the first figurative hollow casting. As a result, Lauchhammer specialized in the production of more monumental pieces and full -figure statues.
Diverse design options for modern gardens
Today the hollow casting process is used in a variety of use in the garden decoration. Modern analysis methods such as computer tomography have been providing ever more precise insights into the manufacturing techniques since the 1980s. This technological advances have contributed to an impressive variety of stone cast figures for the garden.
The stone cast or lava leader for hollow cast statues usually consists of a cement-sand limestone mixture with other additives. This material impresses with weather resistance and frost security - ideal properties for the outdoor use.
The basic principles of the hollow casting process have remained almost unchanged for thousands of years, but modern materials and techniques still open up more diverse design options today.
Material choice with character: Which stone fits your garden?
The selection of the material for your garden decoration significantly determines the atmosphere of your outdoor area. Let's take a look at the details:
Far Eastern magic with lava stone
Lavastein enchants with its earthy, natural charisma and is ideal for Asian -inspired garden design. This special natural stone is made directly from lava blocks and shaped into impressive sculptures Handmade Lavastein is an extremely robust natural product-absolutely frost-proof and resistant to UV radiation.
With permanent moisture, however, some caution is required. Ideally, figures made of lava pussy are kept dry. The placement on dry surfaces is expressly recommended by stonemasons and sculptors.
Asian lavastein lanterns and Buddhas differ significantly from industrial stone cast products because they are traditionally made from entire lava stone blocks. In fact, these figures are given a calming effect on the mind. The greenish shimmering Basanite , also a lava stone, not only offers absolute frost strength, but also develops a fascinating patina over time.


Mediterranean flair with terracotta
Terracotta figures ensure Mediterranean atmosphere , whose tradition goes back to the Italian Renaissance. At that time, the Medici promoted this art form in their magnificent gardens. In the heart of Tuscany , in Impruneta , one of the finest toners in Europe has been created for centuries.
how artisans Masimo Carbone create amazing amphorae for wine:
He produces terracotta amphorae in various forms with a volume of 100 to 800 liters. They can all be used for fermentation and maturation of wine and beer. They are currently mainly used to produce organic wines and organic beer. You can order the amphorae from Tuscanylux .
You can see a collection of handmade terracotta art here:
Handmade Terracotta figures made of IMPRUNETA in principle impress with:
- Guaranteed frost resistance thanks to special burning processes
- Unique warm charisma and impressive longevity
- Traditional craftsmanship from family -run workshops
So how about a Tuscan accent in your garden? Over time, these figures develop a natural patina that gives them an unmistakable character.


Timeless elegance with stone casting
Stone casting today is the most used material for garden sculptures and consists of a mixture of Portland cement, additives such as sandstone or quartzite, water, dyes and additives. Unlike conventional concrete, stone casting does not contain any air bubbles, which means that the material does not get cracks or crumbles.
Stone casting is more heat-resistant than normal concrete and does not take off at extreme temperatures or by UV radiation. The extraordinary stability makes rock cast figures to resistant companions for any weather conditions.


Modern lightness with fibrestone
Fibrestone offers an innovative alternative for contemporary garden concepts. In a complex process, plaster and fiber optic mats are applied to a shape. The advantage is obvious: Despite their impressive optics, the figures are surprisingly light.
However, we recommend that these sculptures outdoors only be covered in the outdoor area, since their complete frost resistance cannot be guaranteed. With their shiny surface, fibrestone works of art are particularly suitable for terraces and protected garden areas.
From the model to the finished sculpture: the craftsmanship of the hollow casting
The creation of a hollow cast statue is like a fascinating ballet of precise craftsmanship and years of experience. Hardly a layperson suspects what complex process is behind these artistic garden figures. Only the combination of technical knowledge and creative sensitivity transforms simple materials into impressive sculptures.
The form of form as a basis
At the beginning there is always a model - the original form that serves as a template. A negative form is created around this model, typically made of plaster or modern silicone. Before the actual casting can begin, this shape must be carefully prepared: plaster forms are watered and isolated with clay silt, while silicone forms receive treatment with lubricating soap or dishwashing detergent.
The casting itself takes place in two layers: First, a thin fine layer (3-6mm) is applied made of concrete and water. This first layer significantly determines the later surface quality of the figure. This is followed by the coarse layer, the exact composition of which depends on the planned size of the finished work of art.
Hohl casting and full casting in comparison
Why often choose the hollow casting? The advantages are obvious:
- The significantly reduced weight facilitates transport and placement
- The well -considered wall thickness ensures surprisingly high compressive strength
- The lower material consumption not only makes production more cost -effective, but also more resource -saving
In the case of hollow casting processes, the molded parts are first brushed with cement glue before the coarser mixture follows. An essential detail: the filling is beveled inwards at a 45-degree angle. Larger, standing figures also require a steel reinforcement, about one centimeter below the surface - an invisible skeleton that gives the figure stability.
The finish - when concrete becomes art
After curing, which can take between one and seven days depending on the size and the ambient temperature, the shape is carefully removed. Now the fine work begins: binder residues and disturbing cast edges must be carefully removed. Small defects can be repaired with cement mortar after the casting piece was thoroughly watered.
However, true magic only arises from the final surface treatment. Whether concrete glaze, a polish of bohner wax or classic linseed oil firing - only this refinement breathes life into life. Particularly attractive: a special antique finish creates the seamless transition to the natural patina, which forms over the years and makes every figure unique.
If not everything runs smoothly: typical challenges
Despite all care, even experienced craftsmen can encounter problems. Gas porosity shows itself as tiny holes or blisters in the finished casting piece. Also tricky are shrinkage errors that can occur when the material is cooled.
Other frequent stumbling blocks: uneven wall thicknesses or false mixing conditions. In the case of insufficiently prepared forms, there are also threats air inclusion that can affect the structural integrity of the artwork.
Make stone decoration sculptures yourself-a guide to Mac Paverick
In this video contribution by Gartenprofi Mac Paverick you can see detailed instructions on how to make your very own stone decoration sculptures with simple materials and some skill.
Perhaps you have already seen some examples that inspired you to become active yourself. Regardless of whether you start as a beginner or already have experience in designing with different materials, this creative process will take you on an enriching journey.
As a passionate artisan, Mac Paverick has specialized in introducing people to the world of stone processing. Its expertise ranges from the basics of choice of material to more complex techniques of surface design. With this guide you will not only learn which tools and materials are necessary, but also receive helpful tips to bring your ideas for life.
Perfectly placed and well-kept-hollow cast statue as a garden highlight
Anyone who has acquired a stone figure for their garden would like to enjoy this work of art for a long time. With the right selection, care and positioning, your hollow cast statue becomes a permanent eye-catcher that blends harmoniously into the green oasis.
The right purchase: recognize and choose quality
When buying a stone sculpture, you should first distinguish between melted and bound statues. The melted specimens offer the highest quality and durability, while bound variants represent a cheaper alternative - perfect for beginners in the world of garden art.
Also consider:
- Which style fits your garden? Classic European figures, Asian -inspired sculptures or abstract works of art?
- Where should the figure find its place? In the entrance area, in a quiet terrace corner or as a central eye -catcher?
- Which material harmonizes with your garden concept and the climatic conditions on site?
Uncomplicated care for permanent beauty
The good news for all garden lovers: the care of a stone sculpture is pleasantly uncomplicated. However, bird droppings should be removed quickly with lukewarm water because it can attack the surface. A gentle mixture of soapy water and a soft brush helps with more persistent pollution.
Particularly important for the preservation of beauty: polished surfaces can be dull by means of intensive sunlight over time. Here white wax proves that is applied with a brush and after a few minutes with a dry cloth - the figure gets its original shine back.
Find the ideal location
Hohl casting statues work best when they stand "dry"-without a protective roof, but on a surface with a good water drain such as washing concrete slabs or a gravel bed. Did you know that impressive statues need enough space to develop their full effect? A rondell in the middle of the lawn or a strategically placed location on the edge of the terrace are ideal.
Next you should think about the lighting - it will be interesting here! A well -positioned garden lamp can also put your sculpture in the scene at dusk and at night and ensures magical moments in the garden.
Guarantee weather resistance
hydrophobicization is recommended , also known as a deeper. This thin substance moves into the stone and continues to "breathe" , but prevents water from penetrating. Natural stones like Basanite keep their beauty the longest when they are regularly hydrophobic.
With stone cast figures with special finish, it should be noted that this must be refreshed after a few years of the weather. Fortunately, this small refresher cure is usually limited to particularly exposed areas - a little effort for the permanent joy of its stone garden decoration.

Owner and managing director of Kunstplaza . Publicist, editor and passionate blogger in the field of art, design and creativity since 2011. Successful conclusion in web design as part of a university degree (2008). Further development of creativity techniques through courses in free drawing, expression painting and theatre/acting. Profound knowledge of the art market through many years of journalistic research and numerous collaborations with actors/institutions from art and culture.