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Herrenberg ruling: Self-employed or employed in the cultural sector?

Joachim Rodriguez y Romero
Joachim Rodriguez y Romero
Monday, December 15, 2025, 4:07 PM CET

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Show table of contents
1 German Cultural Council presents key points on the Herrenberg ruling
2 Characteristics of self-employment
3 Demand for safeguarding and protecting those employed in art, culture and media
3.1 You might also be interested in:

German Cultural Council presents key points on the Herrenberg ruling

presents key points for the definition of self-employment in its statement "Ensuring legally secure and low-bureaucracy self-employment in the cultural and media sector – decisively countering bogus self-employment." Federal Ministry of Labor and Social Affairs German Social Code, Book IV (SGB IV), next year, also in response to the Herrenberg ruling . Currently, only dependent employment is defined there.

In its statement, the German Cultural Council emphasizes that gainful employment in the arts, culture and media sector is characterized by self-employment, dependent employment and so-called hybrid employment, i.e. the alternation or parallel exercise of dependent employment and self-employment.

All forms of employment are legitimate and each requires appropriate remuneration.”

Ensuring legally secure and low-bureaucracy self-employment in the cultural and media sector – this is both the wish of artists and a demand of the German Cultural Council.
Ensuring legally secure and minimally bureaucratic self-employment in the cultural and media sector – this is both the wish of artists and a demand of the German Cultural Council.
Photo by Vitaly Gariev @silverkblack, via Unsplash

In addition to primary employment, whether in dependent employment or self-employment, secondary employment a significant role in some fields within the arts, culture, and media. This secondary employment should be characterized by the same social security benefits as the primary occupation. Bogus self-employment must be decisively countered. This requires that cultural institutions and publicly funded organizations be adequately provided with resources.

The intended definition of self-employment must provide legal certainty and be designed to be as bureaucratic as possible.

Characteristics of self-employment

The German Cultural Council lists the following characteristics of self-employment, among others:

Self-employed individuals bear entrepreneurial responsibility, and this also applies to solo self-employed individuals. They typically work for multiple clients. They carry out their work in different locations, such as their own business premises, or at the premises of clients or customers. The lack of their own business premises is not an obstacle to self-employment. They are not integrated into the company, but can use the infrastructure (premises, technology, equipment, etc.) or operating resources of clients or customers.

Self-employed individuals are generally free from instructions. However, in project-based teamwork, situations may temporarily arise in practice where binding agreements and instructions, including those from the client, are necessary. Artistic guidelines or instructions given to self-employed contributors during rehearsals or performances are not equivalent to instructions in the sense of social security law.

Similarly, instructions or artistic specifications given by freelancers to employees do not establish a dependent employment relationship. Freelancers are sometimes subject to content-related or organizational requirements set out by their clients, which the clients must pass on. Examples of this include requirements from quality assurance institutions within the framework of certification procedures or from auditing authorities to ensure uniform national standards.

Self-employment can also be pursued on a part-time basis. This can be done alongside full-time dependent employment, full-time self-employment, in retirement, or alongside full-time studies.

Demand for safeguarding and protecting those employed in art, culture and media

With regard to the planned legal distinction between self-employment and dependent employment, the German Cultural Council demands that the aforementioned characteristics of self-employment in the cultural and media sector, as well as social security through the artists' social insurance scheme , be taken into account, as well as the need for protection of those employed in . It is also essential to adequately consider part-time self-employment.

The managing director of the German Cultural Council, Olaf Zimmermann , said:

“Both dependent employment, self-employment, and hybrid employment are fundamental to the cultural and media sector. Appropriate remuneration must be a given for all forms of employment. The definition of self-employment planned by the Federal Ministry of Labor and Social Affairs must reflect the nature of work in a modern knowledge society and, in particular, must offer legal certainty and be implemented with minimal bureaucracy. The German Cultural Council has now taken the initiative with its statement. We eagerly await the draft legislation from the Federal Ministry of Labor and hope for legal certainty and clarity after the uncertainty caused by the Herrenberg ruling.”

The statement “Ensuring legally secure and low-bureaucracy self-employment in the cultural and media sector – decisively countering bogus self-employment” by the German Cultural Council can be found here .

Owner and Managing Director of Kunstplaza. Publisher, editor and passionate blogger in the field of art, design and creativity since 2011.
Joachim Rodriguez y Romero

Owner and Managing Director of Kunstplaza. Journalist, editor, and passionate blogger in the field of art, design, and creativity since 2011. Successful completion of a degree in web design as part of a university study (2008). Further development of creativity techniques through courses in free drawing, expressive painting, and theatre/acting. Profound knowledge of the art market through years of journalistic research and numerous collaborations with actors/institutions from art and culture.

www.kunstplaza.de

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Living from art

A fundamental need for every artistically creative person is likely to be the ability to live off their art.

In order to secure your own existence, it is essential to make money with art . In fact, contrary to the majority perception, many artists can live well from their creative work these days. Nevertheless, a vast majority of all freelance artists are dependent on further sources of income (e.g. giving courses, order work, part -time jobs, etc.).

Recognition as an artist often does not bring immediate financial security. Therefore, artists are often also life artists.

The opportunities to make a living from one's own art have, however, grown significantly due to the internet and social media. As an artist, however, you must be versatile and flexible to succeed. A certain degree of perseverance is also essential.

Customer care and self -marketing are also important pillars for success as an artist .

In this section, we compile numerous articles, information, tips, and advice to help you make a living from your art.

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