Zeitgeist & Zündstoff: The most exciting exhibitions for contemporary art in autumn 2024 in Germany

Germany has established itself as a major center for contemporary art , attracting creative talents and art enthusiasts from all over the world.

In autumn 2024, renowned contemporary art galleries across the country will present some of the most exciting and groundbreaking exhibitions. These exhibitions in Germany will showcase an intriguing mix of established and emerging artists in the coming weeks and months.

Their works address current issues, social developments, and cultural upheavals. From powerful installations to daring new media works, the German art scene continues to set standards and inspire new perspectives.

Discover our diverse and inspiring selection of exhibitions for the autumn season 2024 in Germany and experience artistic pioneering spirit à la bonne heure!

“Concert of Sighs” by Rebecca Horn (Galerie Thomas Schulte, Berlin)

From September 11th to November 2nd, this exhibition marks the significant return of this renowned artist to the contemporary art scene. Rebecca Horn focuses on fragility, emotions, and the interplay of sound and physical space.

“Concept of Sighs” combines sound, sculpture, and kinetics. The exhibition will include immersive installations where mechanized objects and sounds interact, creating a subtle balance between movement and stability.

The title suggests an exploration of subtle emotions through sound. Sighs, often overlooked as expressions of inner feelings, play a leading, performative role here. The spacious rooms of the Thomas Schulte Gallery enhance the sensory and spatial experience of Horn's work.

More information can be found on the gallery's website: galeriethomasschulte.com

Retrospective in Munich

The major retrospective on Rebecca Horn is still running in Munich until October 13th, overlapping with this exhibition.

The Haus der Kunst in Munich is currently showing a comprehensive retrospective of the complete works of the German artist. Her multifaceted oeuvre, spanning six decades, explores the essence of existence and the convergence of nature, technology, and humanity.

She primarily sees herself as a choreographer who creates complex interplay between space, light, sound, and physicality. The exhibition "Rebecca Horn" at the Haus der Kunst in Munich documents her career from early works on paper to her current productions, placing a particular emphasis on performativity.

Her art combines aspects of literature, art history and film, embodying the connection between humanity, machines, animals and the earth, thus enabling a direct experience of life through the body.

Curated by Jana Baumann together with Radia Soukni, the exhibition highlights Horn's lifelong exploration of the changing role of man in the world. 

“Landscapes” by Barbara Klemm (Galerie Peter Sillem, Frankfurt am Main)

Photography enthusiasts should consider a trip to Frankfurt am Main between September 7th and October 19th

Since the 1960s, the photojournalist has attentively observed and photographed events in the metropolis on the Main River. She not only documented history but also reinterpreted it herself – whether in relation to her contemporaries or her own surroundings. The renowned Frankfurter Allgemeine Zeitung once aptly remarked:

Her small Leica is always within easy reach at the bottom of her handbag.

Many of her impressive photographs of streets, cities and people from all over the world were taken under these conditions: Even after the completion of the editorial assignment and the purpose of the trip, she kept the camera firmly in her hand.

Her photographs from the NPD's federal election campaign in July 1969 became particularly well-known and garnered international attention: The image of a portly, helmeted NPD steward in front of the Frankfurt Volksbühne was published in the local section of the FAZ and also reprinted in Der Spiegel , Paris Match , and the Observer . These images had a considerable impact and contributed to the party's failure to clear the five percent threshold.

Klemm's photographs of the Frankfurt student movement, as well as those of Adorno and Horkheimer, also quickly gained national and international recognition. Unlike her colleagues, she showed a genuine interest in the students' concerns and took the time to gain deeper insights.

Barbara Klemm is a photojournalist with a keen sense for the perfect moment and a strong personal and photographic connection to Frankfurt. 

This photographer clearly has a keen eye for historical events. The exhibition at the Peter Sillem Gallery now allows visitors to discover another side of Klemm's talent.

Her striking black and white photographs capture the beauty of landscapes and perfectly convey the emotional message they embody. The monochrome palette allows viewers to focus on form, light, and shadow, reflecting the changing relationship between nature and humankind.

Incidentally, if you are looking for inspiration for your own photography and suitable image editing Luminar Neo 's cloud software offers powerful tools that are incredibly easy to use.

More information can be found on the gallery's website: galerie-peter-sillem.com

“Un Mondo Che Muore” by Olaf Nicolai (Sabine Knust Gallery, Munich)

Also be sure to mark your calendar for October 15, 2024 , to enjoy the bright, large-format posters that satirically promote the circus of a dying world.

These handmade posters by German artist Olaf Nicolai were created specifically for the Sabine Knust Gallery in Munich. Working with language and text plays a crucial role in Olaf Nicolai's creative process and predominantly conceptual approach. The artworks employ Italian expressions to emphasize drama.

More information can be found on the gallery's website: sabineknust.com

Group exhibition “Hair Care Bunch/Or How White People Need To Stop Touching Our Hair” (SETAREH Gallery, Düsseldorf)

Until October 4, 2024, the SETAREH Gallery in Düsseldorf presents the group exhibition “Hair Care Bunch/Or How White People Need To Stop Touching Our Hair” , which features works by Joe Cool, Mattia Maccarthy, Cato, Melissa Newbery, Farrah Riley Gray and others.

This exhibition addresses a provocative and intimate topic – the appropriation and fetishization of Afro hair. To tackle these significant social and cultural issues, the artists use a variety of creative media, from sculpture to photography and multimedia.

The artists' works serve as a visual reminder of the necessary respect and understanding when it comes to personal and cultural identity. They focus on reclaiming autonomy and dignity, particularly regarding the perception of the appearance (and hair) of people of different races and ethnicities.

More information can be found on the gallery's website: setareh.com

“One Day I’ll Follow Byrds” by Friedrich Kunath (Galerie Max Hetzler, Berlin)

Friedrich Kunath is known for seamlessly blending surrealist elements, melancholy, and humor. His latest exhibition ( until October 26, 2024 ) promises a profound reflection on the artist's memories and personal experiences.

Kunath's vivid, dreamlike images explore poignant themes such as loneliness, nostalgia, and longing. The artist employs various artistic approaches to evoke the tension between fantasy and reality.

The title suggests the idea of ​​following dreams or desires that seem unattainable. This exhibition incorporates references to music , poetry, and pop culture, creating a personal and universally relatable narrative.

“Of quiet weight” by Myriam Holme (Bernhard Knaus Fine Art, Frankfurt am Main)

Until October 19, 2024, "Of Quiet Weight," will be on display at Bernhard Knaus Fine Art in Frankfurt am Main. This artist is known for her unique and creative use of materials and textures. Lightness and density coexist in the subtle harmony of her paintings.

The exhibition showcases works that explore fragility and permanence. Multi-layered compositions with three-dimensional elements and pigments emphasize changes in form and substance.

Holmes' creative approach invites the audience to reflect on the weight of quiet moments and fleeting beauty. "Of Quiet Weight" continues her exploration of materiality, employing an abstract visual language to provoke reflections on the transience of life and the passage of time.

Conclusion

The contemporary art scene in Germany in 2024 offers a remarkable variety of exhibitions that push creative boundaries and address diverse themes, from personal identity to societal changes.

Every exhibition, whether through immersive installations or thought-provoking photography, offers a fresh perspective on contemporary issues, culture, and our role in an ever-changing world. From Berlin to Frankfurt to Düsseldorf – Germany's leading contemporary art galleries are committed to inspiring, provoking, and challenging current norms.

If you are enthusiastic about artistic innovations, you will find plenty to enjoy in the diverse exhibitions that Germany has to offer this autumn.