Component "After the Bad" (1920) by Max Pechstein, mixing technique on handmade paper

Component "after the bathroom" (1920) by Max Pechstein, mixing technique on handmade paper

Accounting "After the Bad" (1920)

The human body represented an immensely important source of inspiration for the Oeuvre Max Pechstein: as a portrait or as an act - as with the "after the bath" from 1920, whose drawing template in Leba on the Baltic Sea will have been created, where Max Pechstein always spent the summer months by 1945.

Drypoint, fluted file and brush etching, 1920. Edition: 100 copies on laid paper with blind stamp “Die Schaffenden”, signed. Catalogue raisonné: Krüger R118 FR 110. Published in: “Die Schaffenden” 3rd year, 1st portfolio, plate 41.

Image size 26.5 x 21.8 cm. Sheet size 41 x 31 cm. Framed size 49.5 x 44 cm as shown.

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Special feature(s) / Context / About the artist:

As at that time, Max Pechstein is considered one of the most important representatives of German Expressionism. In spring 1906 he came across the artist group "Die Brücke" founded in the previous year from Kirchner, Heckel, Schmidt-Rottluff and Bleyl. In addition to painting, a work with over 850 woodcuts, lithographs and etchings was created in the area of the graphic. What Paul Gauguin Tahiti was for Max Pechstein the Baltic Sea coast: a paradise in which he found rest, but above all too much inspiration. Since 1909 he has traveled to Nidden several times at the Curonian Spit, where Lovis Corinth had already worked as a young art student more than a quarter of a century before.

Style (s): Expressionism

Materials used: paper

Used tools: printer

Used techniques: art print

Edition / Release: