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Sculpture "Pietà" (1489-99) by Michelangelo Buonarroti, reduction in art marble

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Sculpture "Pietà" (1489-99) by Michelangelo Buonarroti, reduction in art marble

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Sculpture "Pietà" (1489-99), reduction in art marble

Only 23-year-old created Michelangelo with the sculpture group of the Blessed Mother with her son one of his most poignant works-the only sculpture he has ever signed. Maria's timelessly youthful face expresses a cautious pain that is also apparent in the devoted gesture of the left hand. In contrast to the artists who have designed this motif in front of him, Michelangelo does not emphasize the pain as a prerequisite for redemption, but shows divine beauty as a result of redemption.
Original: Petersdom, Rome.

Reduction. Polymeres Museum replica, cast by hand. Format 23 x 29 x 14 cm (b/h/t).

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Pain and despair but also hope, Michelangelo described in his prehistory of humanity: the Sistine chapel in the Vatican. When he created these vaults between 1508 and 1512, the main representative of the High Renaissance and pioneer of mannerism as a sculptor and painter already played a central role in Italy's artistic and intellectual life. Michelangelo Buonarroti was born in 1475 in the Tuscan Caprese. He received his training as a painter from Domenico Ghirlandaio, which of the sculptor may be with Bertoldo di Giovannis, whereby the study of antiquity was of great influence. From 1496 to 1501 Michelangelo worked in Rome, where the "Pietà" was created for St. Peter's Basilica. By 1504 he then worked in Florence on the monumental statue of "David", which is still the close connection to antiquity. The following sculptures characterize the transition to mannerism through violent moments of movement.
classicism
casting technology
plastic
replica
  • Antiquity
  • Emotions
  • Women
  • Friendship and family
  • Greek mythology
  • Men
  • People
  • Beige
  • ivory
  • White

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