Bronze sculpture by Paul Wunderlich "Victoria" (2008) handmade

The blowing skirt shows the forward pressing of the sculpture. Its arched surface comes alive through the contours and three robe lines. While the front contour of the skirt runs straight down, but slightly inclined, the rear contour is divided into gentle turns. The smooth surface of the bodice joins the smoothness of the robe, accentuated by the geometry of the breast. And then the wing: It is noteworthy how differentiated the feathers arranges in order to find a form here too that deviates from the usual representations. And also the color of the color: the gold of the skirt and the wing, in which the light of the surroundings reflects, the black of the plinth and the top of the wing, which limits the sculpture down and down, and the withdrawn gray -brown of the upper body, other elements are to differentiate the sculpture and nevertheless, as it is, to form one unit.