Piet Mondrian: Image "Composition No. II, with red and blue" (1929), framed original: 1929, oil on canvas, 40.5 x 32 cm, museum: New York, Museum of Modern Art.
High quality Fine Art Giclée Museum reproduction in 7 colors on cotton canvas. Turned to a stretcher frame. Limited edition 499 copies. Noble museum frame in black with silver, matt patinated. Format framed approx. 60 x 49 cm (h/b).
Hard to imagine that Piet Mondrian's strict geometric compositions originated in picturesque, filigree landscape studies. At the age of 20, as a student of the art academy in Amsterdam, he felt close to Impressionism. In the neutral Netherlands, he was spared the turmoil of the First World War for a long time and was able to follow his inspiration and the theosophical studies. The first fauvist and neo -impressionist elements appeared in his pictures.
In Paris, which he visited for the first time in 1912, he took part in several "Salons of the Indépendant", where the cubism of a Georges Braque and Pablo Picasso influenced him. Mondrian, for example, reduced a tree to horizontal and vertical lines to black, orthogonal beams, and he filled the gaps with white and basic colors.
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