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What happens when artworks move

Joachim Rodriguez y Romero
Joachim Rodriguez y Romero
Mon., March 25, 2024, 12:57 pm Cet

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If a work of art goes on a hike, security is an important factor. After all, the smallest mistake could cause damage that cannot be remedied. That is why works of art are very carefully packed when traveling.

Special brackets and packaging ensure that no damage to art can occur. You guard security services on the go and a real -time travel writer analysis can be used to pursue the path.

A trip needs to be well planned

When artworks move, extensive planning and preparations are usually necessary
When works of art move, extensive plans and preparations are usually to be
mastered

Every company that specializes in art transport is proud of the careful planning of the transport. This is not only for fun packing. The transport of sensitive objects in particular must be carefully planned.

It starts with the dismantling and packaging of the artwork. Then a path and a period for transport must be chosen. For example, the streets are free at night and you tear with fewer obstacles.

Challenges in art transport using the example of Max Beckmann

Transporting Max Beckmann's paintings into air -conditioned boxes is a demanding major order. These million -dollar works of art must be brought to the other by one museum - a task that requires specialized logistics.

It is essential to ensure that the works are optimally protected and air -conditioned during transport to preserve their unique beauty and quality. Such a project requires the highest precision and care to ensure that the valuable paintings arrive at their destination unscathed.

Restorer talks about extensive planning and preparations

Eva Bartsch , Restaurer for Modern and Contemporary Art, completed her training through Berlin and Vienna before venturing into self -employment four years ago and setting up in Zurich. The hosts of the Cape Podcast about art, culture and architecture talked to Eva about works of art that go on trips.

Long before a work is presented in an exhibition, preparations must be made in advance and clarifications have to be made. What are the challenges when packing and transporting works and how does it work to set up an exhibition?

The best way to travel

First, the question of the form of transport arises. If the distances are too big, the plane or the ship must be used. It travels calmly with the ship, but if it is in a hurry, then air traffic must be used.

The quietest way to travel is on the rail, followed by shipping traffic. Within Germany, however, the road will probably be used for transport. Transport on the street is most flexible and priced.

Insurance before transportation

Even if transport was particularly well planned, unforeseen problems can occur again and again. Insurance especially for transport is appropriate. In general, insurance for a work of art does not always include transport.

Transport insurance is more expensive per day, but they only have to be taken out for the period of transport.

Securing through good bracket

After the formal preparations , transport even begins with the loading of the work of art. So that no damage occurs on the trip, art must be carefully packed. In this way, vibrations can lead to breaking out color pigments when transporting.

For sculptures , the danger from vibrations is even greater. Packaging materials specially tailored to the work of art ensure upholstery. The simplest example here is the air cushion film. Stronger vibrations can be collected by rubber vibration dampers.

However, vibrations are not the only problem for works of art on trips. Sunlight grabs color pigments and other materials. The wrong atmospheric conditions are also harmful. As a result, it is necessary to control the climate during transport and to ensure sun protection.

There are air -conditioned boxes and entire vans with integrated air conditioning. Values ​​such as air humidity and temperature are checked.

Never lose sight of his gem

After the trip has started, it makes sense to know how the trip goes. So that you always know where the artwork is currently, it can be followed GPS location The position and speed of the transport can be constantly monitored via the mobile network. On the one hand, this helps to check whether the drivers drive carefully enough.

In addition, it can be intervened in an emergency, even before the drivers have time to report. In most cases, however, the GPS location will work in the background and complement the existing safety precautions. If the theft of the transported estate actually occurs, the path of the thieves can be followed thanks to the GPS location.

Better safe than sorry

Again and again there are art thefts. Even if the thieves are usually caught, the stolen piece is often lost. It can take years before a work of art reappears in a collection and pieces made of precious metal are simply melted and sold unscrupulous thieves Crete of this kind is not for the historical and cultural value of an exhibit.

to have your work of art monitored by security services Unfortunately, many security services are infiltrated by criminal organizations today. With a few simple tricks, however, it is possible to recognize a reliable security service. This includes, among other things, a look at the past of the security service provider.

In addition, a look at the security guards assigned is helpful. As a client, you become a guard of the guards.

The price alone does not decide on the quality

Monitoring the guards is an important part of the organization of an art transport. If there is no long -term trust with the transported company, you have to be constantly vigilant as a client. All aspects of transport must be checked. Without initiative, even the most expensive premium guards can disappoint.

Most of the time everything works well

The largest part of all art transports are easily done. However, since it is the transport of valuable objects that cannot be replaced, it is worth investing time and money transport

After all, you want to enjoy your art in the future.

Owner and Managing Director of Kunstplaza. Publisher, editor and passionate blogger in the field of art, design and creativity since 2011.
Joachim Rodriguez y Romero

Owner and Managing Director of Kunstplaza. Publicist, editor, and passionate blogger in the field of art, design, and creativity since 2011. Successful completion of a degree in web design as part of a university program (2008). Further development of creativity techniques through courses in free drawing, expressive painting, and theater/acting. Profound knowledge of the art market through many years of journalistic research and numerous collaborations with actors/institutions from art and culture.

www.kunstplaza.de/

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  • Introduction to art: What aspiring collectors should know
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