Original: 2023, Bronze, Height 220 cm, Loreley rock plateau on the Middle Rhine, Rhineland-Palatinate. Sculpture in fine bronze, cast using the lost-wax process, hand-chased, polished, and patinated. Molded from the original and reduced in size. Limited edition: 300 copies, numbered, signed, and hallmarked. With a numbered certificate. Dimensions approx. 47.5 x 16.5 x 13 cm (H/W/D). Weight approx. 8 kg. Valerie Otte presents the Loreley in a classic form on a rocky pedestal and imbues her figure with numerous symbols from the legend. Her flowing hair reflects the course of a river. Unlike the traditional depiction of the dangerous creature, Otte emphasizes a "feminine perspective" on the Loreley. Copyright: ars mundi / Valerie Otte

"The Solitary Tree" (1822), framed. The Solitary Tree from 1822, representing Germany, is damaged by the French occupation. In the tree's surroundings, a positive development is already hinted at: the rising daylight symbolizes a brighter, better future. For many viewers, Friedrich's painting represents nature in distress. Yet, leaning against the tree is a shepherd, an emblem of hope for healing and harmony between humanity and creation. Printed using the fine art giclée process on 100% cotton artist's canvas and stretched on a wooden frame. Limited edition of 499 copies. In a solid wood gallery frame. Dimensions: 57 x 75 cm (H/W). Original: Alte Nationalgalerie, Berlin. Copyright: ars mundi

The painting "Morning" – from the "Times of Day Cycle," framed. Caspar David Friedrich's works convincingly embody the romantic notion of profoundly interpreting and deciphering the "book of nature." Created in 1821/22, the "Times of Day Cycle" simultaneously depicts a life cycle, allowing the viewer to recognize childhood, youth, maturity, and the serenity of old age. "Morning" focuses on the solitary figure in a fishing boat, beginning his day's work on a still, reed-fringed pond, surrounded by the omnipotence of awakening nature. This treasure from the Landesgalerie Hannover was exclusively reproduced on canvas for ars mundi and set in a gilded solid wood frame. Copyright: ars mundi

Painting "The Wanderer Above the Sea of ​​Fog" (1818), framed. For a brilliant, authentic reproduction, the original artwork was transferred directly onto 100% cotton artist's canvas using the fine art giclée process and stretched over a wooden frame. Limited edition of 499 copies, with certificate. Framed in a handcrafted antique gold-plated solid wood frame. Dimensions: 91 x 74 cm (H/W). Original: 1818, oil on canvas, 94.8 x 74.8 cm, Kunsthalle Hamburg. Copyright: ars mundi

Romantic painting "The Dreamer" (c. 1835), framed. In "The Dreamer," Friedrich evoked a contemplative, romantic feeling through symbolic nature metaphors. Original: c. 1835, oil on canvas, 27 x 21 cm, State Hermitage Museum, St. Petersburg. Copyright: ars mundi Edition. Transferred to artist's canvas using the fine art giclée process and stretched on a wooden frame. Limited edition of 980 numbered copies, with certificate. Framed in a handcrafted, gold-colored solid wood frame. Dimensions: 55 x 41 cm (H/W).

Image "View of a Harbor" (circa 1815/16), framed edition, transferred to artist's canvas using the fine art giclée process and stretched on a wooden frame. Limited edition of 980 numbered copies, with certificate. Framed in a handcrafted, gold-colored solid wood frame. Dimensions: 71 x 57 cm (H/W). Copyright: ars mundi

Painting "Chalk Cliffs on Rügen" (1818), framed. "Chalk Cliffs on Rügen" is a painting by Caspar David Friedrich, created around 1818. It is considered one of the most important works of Romanticism and had a lasting influence on the movement. Original: 1818, oil on canvas, 90.5 x 71 cm, Museum Oskar Reinhart, Winterthur. Fine art giclée print on artist's canvas made of 100% cotton, treated with two coats of UV-protective varnish and stretched on a wooden frame like an original oil painting. Limited edition of 499 copies. In a handcrafted solid wood frame with gold leaf gilding. Dimensions: 74 x 61 cm (H/W). Copyright: ars mundi

Painting "Canal Grande" (1835), framed. Venice, with its vibrant colors and intense light, repeatedly captivated Turner during his European travels. The English painter used pure, unmixed colors, contrasting them to create a sense of light. This resulted in a series of light-filled vedute in which landscape and architecture merge into a vibrant expanse. Original: Oil on canvas, Metropolitan Museum of Art, New York. A color-brilliant, true-to-life reproduction using the fine art giclée process directly onto 100% cotton artist's canvas, stretched on a wooden frame. Handcrafted in a solid wood frame with a matte silver patina. Limited edition: 499 copies. Copyright: ars mundi

Painting "Cologne, the Arrival of a Packet-Boat: Evening" (1826), framed. One year after presenting "The Harbor of Dieppe," also painted in 1826, at the Royal Academy, William Turner exhibited his work "Cologne." As a former Roman colony during the Holy Roman Empire, the Free Imperial City of Cologne was for a long time an important center of trade, education, and religion. During his visit, the city still largely retained its medieval character. Original: 1826, oil on canvas, 168.6 x 224.2 cm, The Frick Collection, New York. Edition printed using the fine art giclée process directly onto artist's canvas and stretched on a wooden frame. Limited edition of 980 numbered copies, with certificate. Hand-framed. Copyright: ars mundi

Painting "Moonlight over Lake Lucerne" (c. 1841-44), framed. The moon shines delicately over the backdrop of Mount Rigi, the light reflecting off the lake's surface flowing throughout the entire painting. A breathtaking masterpiece! Original: c. 1841-44, watercolor and gouache, 23 x 30.7 cm, Whitworth Art Gallery, Manchester. Fine art giclée print on canvas, stretched on a wooden frame. Limited edition of 499. Hand-framed in a studio with a shadow gap. Dimensions: 54 x 72 cm (H/W). Copyright: ars mundi

Painting "The Last Voyage of the Temeraire" (1839), framed. Thus fades the glory of the world: HMS Temeraire was a 98-gun ship that saw action at the famous Battle of Trafalgar. Here, Turner depicts her being towed to the shipbreaking yard by a steamboat in the light of a setting sun exploding with red hues. Original: 1838/39, oil on canvas, 90.7 x 121.6 cm, National Gallery, London. Edition printed using the fine art giclée process directly onto artist's canvas and stretched on a wooden frame. Limited edition of 980, numbered, with certificate. Framed in a handcrafted, silver-colored solid wood frame. Dimensions: 64 x 84 cm (H/W). Copyright: ars mundi

Painting "On the Water" (2021) (Original / Unique Piece), framed. Original painting from 2021, hand-signed. Egg tempera on canvas, stretched on a wooden frame. Frame dimensions: 40 x 60 cm (H/W). Framed in a natural-colored solid wood frame with a shadow gap. Frame dimensions: 43 x 63 cm (H/W). Copyright: Susanne Wind / ars mundi

Painting "Fora vila" (2018) (Original / Unique piece), framed. Original painting from 2018, signed. Egg tempera on canvas, stretched on a wooden frame. Frame dimensions: 70 x 100 cm (H/W). Framed in a natural-colored solid wood frame with a shadow gap. Frame dimensions: 73 x 103 cm (H/W). Copyright: Susanne Wind / ars mundi

"Sunset over a Lake" (1840), framed. Turner at the border of pure painting: the classic subject of the sunset as a diffuse explosion of colors and forms, behind which the depicted world can only be vaguely discerned. Original: oil on canvas, Tate Gallery, London. Reproduction with eight UV-pigment-based colors using the fine art giclée process on artist's canvas, stretched on a wooden frame and fitted with an elegant solid wood frame. Limited edition: 499 copies. Style: Impressionism, Abstract Art. Subject(s): Abstract, Landscape, Nature, Sky, Horizon, Lake, Sunset. Size: 61 x 80 cm (H/W). Copyright: ars mundi