Original: 2023, bronze, height 220 cm, Loreley-Felsplateau am Mittelrhein, Rhineland-Palatinate. Sculpture in fine bronze, cast in the wax melting process, chased, polished and patinated by hand. Desized and reduced from the original (reduction). Limited edition: 300 copies, numbered, signed, punched. With numbered certificate. Format approx. 47.5 x 16.5 x 13 cm (h/b/t). Weight approx. 8 kg. Valerie Otte presents the Loreley in a classic form on a rock base and gives its figure numerous symbols of the legend. Your flowing hair mirrors t resisted a river. Unlike the traditional representation of the dangerous being, Otte emphasizes a "feminine view" on the Loreley. Copyright: Ars Mundi / Valerie Otte

Sculpture "reflection", bronze sculpture in fine bronze, patinated and polished. Cast by hand in the wax melting process. Limited edition 99 copies + 10 EA copies numbered and signed Arabic. With certificate. Format 33 x 9.5 x 9 cm (h/b/t). Weight approx. 2.1 kg. Copyright: Ars Mundi / Valerie Otte

Image "The lonely tree" (1822), framed the lonely tree from 1822, representative of Germany, is damaged by the occupation of the French. There is already a positive development in the area around the tree: the rising daylight is the symbol for a bright, better future. For many viewers, Friedrich's painting stands for the battered nature. But a shepherd is leaning against the tree, symbol of hope for healing and harmony between man and creation. In the Fine-Art Giclée procedure, transferred to 100% cotton and pulled on a stretcher frame. Limited edition 499 copies. In solid wood galleries. Format 57 x 75 cm (h/b). Original: Old National Gallery, Berlin. Copyright: Ars Mundi

Picture "The Morgen" - from the "daily cycle", framed Caspar David Friedrich's works implement the romantic idea of ​​interpreting and decrypting the "Book of Nature" in a convincing way. The "daily time cycle", which was created in 1821/22, also describes a life cycle in which the viewer childhood, youth, maturity and the serenity of age can recognize. "The Morning" focuses on the lonely person in fishermen's matters, which begins on a quiet, reed -covered pond, surrounded by the omnipotence of the awakening nature. This treasure of the Hanover State Gallery was transferred exclusively for Ars Mundi to canvas and in a gilded solid wood strip. Copyright: Ars Mundi

Image "The hiker over the fog sea" (1818), framed for a brilliant, authentic reproduction, the original template in the Fine-Art-Giclée process was transferred directly to 100% cotton and raised to a wedge frame. Limited edition 499 copies, with certificate. Framed in a hand-made antique-gold real wood frame. Format 91 x 74 cm (h/b). Original: 1818, oil on canvas, 94.8 x 74.8 cm, Kunsthalle Hamburg. Copyright: Ars Mundi

Art paintings of romanticism "Der Dreamer" (around 1835), framed in "The Dreamer" Friedrich created a contemplative romantic feeling with the help of symbolic natural metaphors. Original: around 1835, oil on canvas, 27 x 21 cm, State Ermitage, St. Petersburg. Copyright: Ars Mundi Edition in the Fine Art Giclée process transferred to artists and stretched on a stretcher frame. Limited edition 980 copies, numbered, with certificate. Framed in hand -made, gold -colored solid wood frame. Format 55 x 41 cm (h/b).

Image "View of a port" (around 1815/16), framed edition in the Fine-Art Giclée process transferred to the screen and stretched on a stretcher frame. Limited edition 980 copies, numbered, with certificate. Framed in hand -made, gold -colored solid wood frame. Format 71 x 57 cm (h/b). Copyright: Ars Mundi

Image "Kreidefelsen on Rügen" (1818), framed "chalk cliffs on Rügen" is a painting by Caspar David Friedrich that was created around 1818. It is one of the most important works of romance and has shaped them sustainably. Original: 1818, oil on canvas, 90.5 x 71 cm, Museum Oskar Reinhart, Winterthur. Fine Art Giclée on an artist canvas made of 100% cotton with a 2-time UV protection variety and put on a wedge frame made of wood like an original oil painting. Limited edition 499 copies. In hand-made solid wood frame with leaf metal gilding. Format 74 x 61 cm (h/b). Copyright: Ars Mundi

Image "Canal Grande" (1835), framed by Venice, Turner repeatedly attracted the colors and the intensive power of light on its European trips. The English painter used pure, uncomfortable colors and put them complementary against each other for the generation of lights. This creates a number of light -flooded Veduten in which landscape and architecture merge into a vibrating area. Original: oil on canvas, Metropolitan Museum of Art, New York. Color-brilliant, faithful reproduction using Fine Art Giclée process directly on the artist canvas made of 100% cotton, raised on wooden stretcher frames. Patinated in a hand -made massive real wood frame, silver. Limited edition: 499 copies. Copyright: Ars Mundi

Image "Cologne, The Arrival of a Packet-Boat: Evening" (1826), framed a year after he presented the "The Harbor of Dieppe", which was also created in 1826, exhibited his work "Cologne" in the Royal Academy. As a former Roman colony during the Holy Roman Empire, the free imperial city of Cologne was a significant commercial, education and religious center for a long time. During his visit, the city was still largely medieval. Original: 1826, oil on canvas, 168.6 x 224.2 cm, The Frick Collection, New York. Edition in the Fine Art Giclée process transferred directly to the screen and stretched to a stretcher. Limited edition 980 copies, numbered, with certificate. Framed in hand coffins Copyright: Ars Mundi

Image "Moonlight over the Lake Vierwaldstätter" (around 1841-44), framed the moon over the backdrop of the Rigi, which flows through the whole painting in the surface of the lake mirrors and light. A breathtaking masterpiece! Original: around 1841-44, watercolor and cover color, 23 x 30.7 cm, Whitworth Art Gallery, Manchester. Fine Art Giclée on canvas, stretched on a stretcher frame. Limited edition 499 copies. In hand -made studio framing with shadow joint. Format 54 x 72 cm (h/b). Copyright: Ars Mundi

Image "The last trip of the Temeraire" (1839), the fame of the world passes: The HMS Temeraire was a ship stocked with 98 cannons that had been used in the famous Battle of Trafalgar. This shows Turner how it is pulled in the light of a sun sinking in exploding red tones from a steamship. Original: 1838/39, oil on canvas, 90.7 x 121.6 cm, National Gallery, London. Edition in the Fine Art Giclée process transferred directly to the screen and stretched to a stretcher. Limited edition 980, numbered, with certificate. Framed in hand -made, silver -colored solid wood frame. Format 64 x 84 cm (h/b). Copyright: Ars Mundi

Image "on the water" (2021) (original / unique), framed original painting 2021, hand signated. Tempera on canvas, stretched on a stretcher frame. Wedge frame format 40 x 60 cm (h/b). Framed in natural -colored solid wood strip with shadow joint. Format 43 x 63 cm (h/b). Copyright: Susanne Wind / Ars Mundi

Image "Fora Vila" (2018) (original / unique), framed original painting 2018, signed. Tempera on canvas, stretched on a stretcher frame. Wedge frame format 70 x 100 cm (h/b). Framed in natural -colored solid wood strip with shadow joint. Format 73 x 103 cm (h/b). Copyright: Susanne Wind / Ars Mundi

Oil painting "Beach access in the backlight" (2024) (unique) oil on canvas, 2024. Unfamiliar. Format on a stretcher frame 60 x 100 cm like illustration. Copyright: Stefan Dobritz / Ars Mundi