"Energy XIX" causes the silent courage of devotion - when letting go for an act of deepest agreement with which self becomes. Title: "Energy XIX - Descent Into Light" (2021) Artist: Juca Maximo (Brazil) Medium: Acrylic and ink on canvas Edition / Edition: Limited series (3 pieces) Style: Expressionism, modern art motif (e): women, emotions, people, concept, energy dimensions: 75 W x 1.8 d cm (unr History) As well as the certificate of authenticity, the artist signed on the front and back. International shipping in a stable box or role. Delivery time: Usually 5–7 working days for domestic shipments, 7–14 working days for international programs. Return: 30-day right of return Copyright: Juca Maximo / Singulart

Image "woman in the red dress (street in Asgardstrand)" (1902/03), framed original: 1902/03, oil on canvas, 60 x 75.5 cm, new Pinakothek, Munich. Edition in the Fine Art Giclée process transferred directly to the screen and stretched to a stretcher. Limited edition 980 copies, numbered and signed, with certificate. Framed in hand -made, white gold -colored solid wood strip. Format 55 x 69 cm (h/b). Copyright: Ars Mundi

Image "Alpweg after the thunderstorm" (around 1923/24), version of black and silver colors framed the Swiss mountains as a radiant-colorful paradise-so Ernst Ludwig Kirchner shows the landscape in which he lived for years. Original: around 1923/24, oil on canvas, 90.5 x 121.5 cm, Inv.No. 967 LM, LWL Museum for Art and Culture, Münster. Edition in the Fine Art Giclée process transferred directly to the screen and stretched to a stretcher. Limited edition 100 copies, numbered, with certificate. Editing in cooperation with the LWL Museum for Art and Culture, Münster. Photo: LWL-MKUK/SABINE AHLBRAND-SIORSING. Framed in hand-made, black-silver-colored solid wood frame. Format 55 x 72 cm (h/b).

The theme of the girls on the bridge interpreted Munch in seven variations, whereby the figure constellations changed. The bridge symbolizes the transition to adulthood. The girls form a closed circle that excludes the viewer and assigns him the role of the distant observer. Original: 1902, 101 x 102 cm, private property. Edition in the Fine Art Giclée process transferred directly to the screen and stretched to a stretcher. Limited edition 980 copies, numbered, with certificate. Framed in hand-made, white-gold-colored solid wood framing. Format approx. 68 x 65 cm (h/b). Copyright: Ars Mundi

Original: 1918, oil on canvas, 70 x 80 cm, middle image of the triptych, private collection. Edition in the Fine Art Giclée process transferred to the screen and stretched to a stretcher frame. Limited edition 980 copies, numbered, with certificate. Framed in hand-made, black and gold solid wood framing. Format 61 x 70 cm (h/b)

Portrait draw "Die Dänzin" (1913), framed edition in the Fine Art Giclée process on laid-handed. Limited edition 199 copies, numbered. Framed in a hand -made, ivory -colored solid wood frame with a slanted cut partout, glazed. Format 48 x 35 cm (h/b).

Component "Sitting girl with naked upper body and blue skirt" (1911), framed what its favorite model Wally Neuzil had for Schiele, shows in the numerous portraits that he made between 1911 and 1915. In this sensual act, the intensive relationship between the two is particularly clearly expressed by their urgent look. Edition in the Fine Art Giclée procedure on letters. Limited edition 199 copies, numbered. Framed in a hand -made, ivory -colored solid wood frame with a slanted cut partout, glazed. Format 48 x 35 cm (h/b).

Component "lying woman with green stockings" (1917), framed the soul life of his models was also looking for Egon Schiele to illustrate in the portraits. The artist had found great recognition with them. Original: 1917, gouache, black chalk on paper, 29.4 x 46 cm, private property. Edition in the Fine Art Giclée procedure on letters. Limited edition 199 copies, numbered, with certificate. Framed in a hand -made, ivory -colored solid wood frame with a slanted cut partout, glazed. Format 35 x 48 cm (h/b).

Accounting "lying" (1918), framed original: 1918, wax pencil on paper, 29.6 x 45.8 cm, private collection. High quality Fine Art Giclée Museum Edition in pigment colors on Hahnemühle Real handle watercolor paper. Limited edition 980 copies, numbered on the back with certificate. Dustproof glazed and framed in a noble solid wood frame in black silk matt with Munich gold and acid -free slanted cutting partout. Format approx. 51 x 73 cm (h/b). Photo © Christie's Images / Bridgeman Images.

Erotic drawing "Sitting woman with a raised knee" (1917), framed the soul life of his models also tried to illustrate Egon Schiele in the portraits. The artist had found great recognition with them. Original: 1917, pencil and gouache, 46 x 30.5 cm, Nationalgalerie, Prague. Edition in the Fine Art Giclée procedure on letters. Limited edition 199, numbered, with certificate. Framed in a hand -made, ivory -colored solid wood frame with a slanted cut partout, glazed. Format 48 x 36 cm (h/b).

Component "Supporting female act with long hair" (1918), framed original: 1918, black chalk on paper, 28.6 x 45.6 cm. Vienna, Leopold Collection. High quality Fine Art Giclée Museum Edition in pigment colors on Hahnemühle Real handle watercolor paper. Limited edition 980 copies, numbered on the back with certificate. Dustproof glazed and framed in a noble solid wood frame in black silk matt with Munich gold and acid -free slanted cutting partout. Format approx. 51 x 73 cm (h/b).

Image "without title" (1953), framed heliography, printed by Draeger. Dated December 26, 1953. Published in the French cultural newspaper "Verve" 1954, edition 29/30, ed. Verlag Tériadia. Motif size 24 x 31.5 cm (h/b). Framed in a silver solid wood strip with a slanted cutting partout, glazed. Format 37.5 x 46 cm (h/b). Single piece.

Image "without title" (1953), framed heliography, printed by Draeger. Dated December 26, 1953. Published in the French cultural newspaper "Verve" 1954, edition 29/30, ed. Verlag Tériadia. Motif size 31.5 x 24 cm (h/b). Framed in a silver solid wood strip with a slanted cutting partout, glazed. Format 46 x 37.5 cm (h/b). Single piece.

"Buste de Femme (Jacqueline)" When Picasso met her, she was a ceramic seller in Vallauris, where Picasso had created ceramic work since 1946 - and 46 years younger than him. The artist portrays the 36 -year -old as full beauty and uses his emphasis on the eye area one of the oldest "tricks" in art history: The exactly straight -looking Jaqueline pursues the viewer, regardless of the angle in which he stands for the picture. 5-colored frequency-modulated reproduction on 250g of fine art box. Limited edition 5,000 copies. Blatt format 98 x 66 cm (h/b). In solid wood framing with an angle cutting passpartout, glazed. Format 113 x 81 cm (h/b). © Succession Picasso / VG Bild-Kunst, Bonn 2009, © Collection Rosengar

Component "after the bathroom" (1920) An immensely important source of inspiration for the Oeuvre Max Pechstein was the human body: as a portrait or as an act - as with this etching "after the bath" from 1920, whose drawing template in Leba on the Baltic Sea will have been created, where Max Pechstein always spent the summer months. The cold needle, riffel file and brush, 1920. Edition: 100 copies on handmade paper with blind stamp "the creators" signed. Work directory: Krüger R118 Fri 110. Blatt format 41 x 31 cm. Format within the frame 49.5 x 44 cm like illustration.