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Crossover in music - Electronics meets acoustics and classical

Joachim Rodriguez y Romero
Joachim Rodriguez y Romero
Fri, October 24, 2025, 15:52 CEST

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It is time to devote us to an article in music again. Finally, the focus of our publications was primarily in the visual and performing arts. So let's turn the world of sounds .

Crossover: a definition

The term crossover comes from English and means translated as much as "overlap", "intersection", or "crossing". In general, this means that the mixing of two or more music styles and types, which were previously separated, is now understood and thus creates a new sound composition .

Origin and development

1940–1979

Crossover as a break with the original division of the hit parades
Crossover as a break with the original division of the hit parades
Image source: Artificial Photography - Shoreditch, London (UK)

Originally, strictly speaking, the simultaneous placement of a piece of music that can be assigned to a certain music genre was specified in at least two hit parades separated according to music genres. The term was shaped in the 1940s when the hit -like separation of music styles was the rule.

The history of crossover begins with the clear demarcation of musical styles in the USA. In particular, the advent of Billboard magazine in 1942 led to the isolation of an initially unified chart into black rhythm and blues, white country, and pop. Initially, the respective genres remained in their respective charts.

  • Crossover: a definition
  • Origin and development
    • 1940–1979
    • 1980–2000
    • Today
  • Electronics meets acoustics and classical
    • Two modern crossover artists combine different sound worlds
  • DJ + saxophone + singer + percussion

In the following years and decades, this separation was increasingly overcome. The first crossover interpreters included the Mills Brothers, Ink Spots or Louis Jordan .

This trend then won primarily through Pat Boone and others when they covered “black” original versions and thus made it accessible to the pop charts. In August 1956, Elvis Presley with "Hound Dog" and over 3 million plates sold.

1980–2000

As fusions between rock and other genres emerged, and people were unsure where to classify the pieces, the term took on a slightly different meaning. Over time, new genres and subgenres emerged.

Rosk musician as crossover pioneers in the 1980s
Rock musicians as crossover pioneers in the 1980s.
Image source: Joe Watts – Port Lympne Reserve, Lympne, UK

In this development, the 1980s stand out, especially when there was another trend towards the fusion of different genres. In the North American hardcore-punk scene, new forms of expression were sought, although metal elements were used many times due to the close relationship.

In principle, however, the majority of the limited punk schemas were sought towards almost all areas of popular music and has long been a synonym for artistic freedom. Detents post-punk or New Wave were the difficult .

While maintaining the basic energy of 1970s punk, there was also increased experimentation with styles previously considered unsuitable, country, jazz, and funk rock music that steadily evolved away from the original punk.

This newly emerging awareness finally found an even wider audience in the early 1990s. Along with the so-called grunge , a new scene emerged that separated itself from punk.

Today

Today, however, only a few bands are explicitly assigned to the crossover. On the one hand, this is because crossover never specifically and explicitly referred to a certain style, but meant the mixing of different music styles and style elements.

DJs as master of ceremonies of electronic music
DJS as master of ceremonies of electronic music
image source: Marcela Laskoski - State of Santa Catarina, Brazil

On the other hand, it is almost a matter of course that bands can be inspired by various musical influences. Only in a few styles of music are the takeover of "watering" elements of other styles.

Electronics meets acoustics and classical

While in the 20th century, rock and punk music were particularly characterized by crossovers, today there are many stylistic mixtures in the field of electronic music on the one hand and classical music on the other.

From modern covers with unusual instruments, experimental new interpretations to large and mixed ensembles, the music landscape became extremely colorful and multifaceted in this regard. The DJ as a musical artist is also often included in these “hybrids” pieces of music and interpretations.

Two modern crossover artists combine different sound worlds

Screeching teenagers who are enthusiastic about viola and violin - - a phenomenon that is rarely experienced in classic concert operation. Wil Baptiste and Kev Marcus alias "Black Violin" do it.

Behind the band name are two US hip-hop artists from Florida, both of which were taught and trained in classical music and string instruments such as the violin and viola.

The current album of the crossover duo is called “stereotypes” By mixing classical music and hip hop and relying on strong emotions, breaking through "Black Violin" patterns and inspire young people above all to make their thing and take new ways.

They were just on tour in Europe.

Henrik Schwarz made it into the ranks of the most famous DJs of our time. His instrument is the laptop. A cooperation with the Stuttgart Chamber Orchestra at the "Jazz Open Stuttgart" inspired the producer and composer for his current project "Instruments" .

Instead of simply inferior with beats, like other artists before him, he completely waived beats and synthetically produced effects. The minimalist sound produced the Tokyo Secret Orchestra on normal instruments. Cooperation with classic musicians was for the first time for the DJ. Here two cultures crashed into each other.

The imposing results that were achieved by this merger seem all the more surprising.

DJ + saxophone + singer + percussion

A very exciting project is currently taking place in Nuremberg, which focuses entirely on the fusion of different types and styles of electronic and acoustic music.

DJ & Friends is the name of the Nuremberg formation responsible for this and presents an impressive connection between DJ and live musicians . DJ in Nuremberg plus singer, saxophone and percussion - according to the motto of the event. The modular concept combines the advantages of a DJ or a DJane with the unique broadcast of singers, saxophonists and other high-class live musicians .

The Nuremberg Formation DJ & Friends
The Nuremberg Formation DJ & Friends

The beats from the turntables provide the musical foundation and set the pace. Singers, saxophonists, and percussionists then build on this, adding virtuoso accents and musical highlights in several show blocks. The diverse sounds then blend together to create a thrilling, top-class performance.

Owner and Managing Director of Kunstplaza. Publisher, editor and passionate blogger in the field of art, design and creativity since 2011.
Joachim Rodriguez y Romero

Owner and Managing Director of Kunstplaza. Journalist, editor, and passionate blogger in the field of art, design, and creativity since 2011. Successful completion of a degree in web design as part of a university study (2008). Further development of creativity techniques through courses in free drawing, expressive painting, and theatre/acting. Profound knowledge of the art market through years of journalistic research and numerous collaborations with actors/institutions from art and culture.

www. kunstplaza .de/

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