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Agile project management in art museums – How an agile coach can help

Joachim Rodriguez y Romero
Joachim Rodriguez y Romero
Mon., January 20, 2025, 4:50 p.m. CET

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In a time when virtually every industry is facing rapid change, the art world is no exception. The evolution of this multifaceted landscape is not only necessary but also inevitable. We are witnessing an increasingly clear call for social and cultural transformation, particularly within galleries and museums .

These institutions, traditionally seen as guardians of art and culture, now face the challenge of rethinking their structures. Rigid hierarchies and outdated ways of thinking often stifle creativity and the exchange of ideas. It is becoming increasingly clear that it is time to break with old patterns and initiate a cultural shift that includes both artists and visitors.

We firmly believe that we have a multitude of solutions at our disposal to actively drive this necessary change. Let's take a closer look at some approaches that can already bring about remarkable changes in the art world. Flat hierarchies, for example, ensure that all voices are heard—from the curator to the intern. This equality not only fosters open discussion but also allows creative talent to fully contribute and develop innovative ideas.

Furthermore, an agile mindset a crucial role in this transformation process. By responding flexibly to changes and being willing to try new approaches, galleries and museums can create vibrant spaces that are accessible to everyone. This agile approach can be further enhanced through respectful communication.

Agile project management in museums and galleries - A culture of respect and recognition within creative teams encourages the free sharing of thoughts and ideas
Agile project management in museums and galleries – A culture of respect and recognition within creative teams encourages the free sharing of thoughts and ideas.
Image source: rawpixel.com via Freepik

The combined effects of these approaches can transform art spaces into more inclusive and dynamic environments—places where creativity flourishes and collaboration is a fundamental principle. Imagine what it would be like if every visit to a gallery were experienced not merely as a passive viewing of artworks, but as active participation in a dialogue about art and its significance in our society.

Show table of contents
1 The challenges facing museums and galleries in a time of rapid change
2 Agile project management in museums
3 Agile working for museums, cultural institutions, art teams and organizations
3.1 Breaking down hierarchical barriers
4 Cultivate an agile mindset
4.1 How can this be achieved?
4.2 Integrate agile project management methods
4.3 Promoting a culture of self-determination and autonomy
4.4 Promote respectful communication
5 How can an Agile Coach help with this?
5.1 Introductory analysis and consultation
5.2 Implementation of agile methods
5.3 Promoting flat hierarchies
5.4 Establish iterative feedback loops
5.5 Adaptation and scaling
5.6 Accompanying measures
5.7 Example results
5.8 You might also be interested in:

The challenges facing museums and galleries in a time of rapid change

In a time that can be summed up “art in the age of Instagram” Jia Jia Fei back in 2016 – contemporary art museums face intense competition from pop-up installations and social media museums such as the Museum of Ice Cream , the sixth most popular Instagram museum in the United States.

 

View this post on Instagram

 

A post shared by MUSEUM OF ICE CREAM (@museumoficecream)

We are convinced that traditional museums, if they do not adapt to current market conditions and the supporting technological business models, risk losing visitors to alternative attractions such as the aforementioned pop-ups. A master's thesis * by Vincent Sulit at the University of San Francisco, published in 2017, analyzed organizational changes in museums and businesses using case studies and, based on its findings, proposed a possible strategy for how museums can adapt to the current market by focusing on developing visitor-centric exhibitions and programs and employing agile project management.

These recommendations have lost none of their validity to this day.

The hierarchical organizational structure that museums had long maintained is no longer appropriate in today's business world, concludes Vincent Sulit. He cited a statement by the renowned economic theorist and author Henry Mintzberg (1996) to support this claim:

"The only thing a CEO sits on is an organizational chart... The most outstanding of all corporate artifacts is never limited to real products and real services, let alone the people who create value with them every day. It seems as if the organization was created for management."*

Mintzberg's article, in which he questions the structure of corporate governance, was written almost thirty years ago. Nevertheless, it aptly reflects the current situation in the museum sector. While the corporate sector today adapts flexibly to the market, the museum sector struggles to keep pace with the challenges of the current and future business environment, even though increased efforts have been made in this regard in recent years.

Agile project management in museums

Agile project management has also found its way into the museum sector in recent years, for example, when the Museum of Modern Art (MoMA) in New York redesigned its website during its renovation. MoMA regularly sought input from a group of people from various departments who acted as "audience advocates. "

This team met every two weeks to ensure that the interests of all stakeholders were taken into account. The approach is reminiscent of historical design strategies employed at the Boston Children's Museum in the 1970s, which aimed to guarantee a balanced representation of all stakeholders.

The use of agile concepts and design thinking as an evaluation method is crucial, as it enables an iterative feedback loop and underlines the adaptability of the MoMA team.

Agile working for museums, cultural institutions, art teams and organizations

Breaking down hierarchical barriers

Historically, art institutions have been characterized by rigid hierarchies where decisions were made from the top down. However, the contemporary art scene demands a departure from this traditional model. The establishment of flatter hierarchies fosters a more egalitarian approach, where ideas and contributions are valued regardless of individual position.

This transformation strengthens the sense of autonomy among team members, enabling them to express their creativity and contribute to the institution's overarching vision. Artistic collectives and gallery collaborations break with traditional hierarchical structures and embody the principles of flat hierarchies. In such organizations, decision-making is decentralized, and all members have an equal say.

Flat hierarchies strengthen the sense of self-determination among team members and enable them to express their creativity and contribute to the overarching vision of the institution
Flat hierarchies strengthen the sense of autonomy among team members and enable them to express their creativity and contribute to the institution's overarching vision.
Image source: rawpixel.com via Freepik

For example, a cooperative gallery could be jointly managed by a group of artists who share responsibility for organizing exhibitions, marketing, and administrative tasks. This flat hierarchy fosters a sense of shared responsibility and creative autonomy.

Three examples of a particularly revolutionary and perhaps even radical approach are the following artist collectives:

ruangrupa

The artist collective ruangrupa , which took over the artistic direction of documenta fifteen in Kassel, brought a unique artistic approach from Jakarta that differed from Western traditions. Instead of focusing on masterpieces, their focus is on communal living. Their philosophy is based on the Indonesian concept of lumbung , which refers to a communally used rice barn and emphasizes values ​​such as collectivity and the equitable distribution of resources.

These principles shaped both their collaboration and the exhibition design of documenta.

Guerrilla Girls

The Guerrilla Girls are a feminist artist collective from New York who have been criticizing the art world and its power structures for over 35 years. With provocative questions like "Do women have to be naked to get into a museum?" , they highlight the imbalance in the art world, where male artists and naked women are usually the focus.

Their performances, in which the members wear gorilla masks, create an ironic and joyful atmosphere, allowing their message of equality to be better received. The group actively advocates for the visibility of women, people of color, people with disabilities, and LGBTQ+ individuals in the arts.

Their content is supported by concise slogans and statistics that demonstrate the underrepresentation of these groups. Since its founding, over 50 female artists have contributed to their projects, and their work is now exhibited in renowned museums.

raumlaborberlin

The architecture collective raumlaborberlin unexpectedly won the Golden Lion at the Venice Architecture Biennale. Since its founding in 1999, the collective has been committed to revitalizing neglected places, with a focus on social sustainability.

The two projects presented in Venice – Floating University and House of Statistics – were launched in Berlin in 2018 and illustrate the endeavor to redesign spaces for the population.

Cultivate an agile mindset

A dynamic mindset enables art galleries to respond quickly to evolving trends , audience preferences, and societal shifts. This approach fosters experimentation, risk-taking, and iterative processes. By moving away from rigid planning and adopting a more agile strategy, institutions can remain relevant and communicate meaningfully with their audiences.

How can this be achieved?

It is of utmost importance to win over the leadership of your institution to a cultural shift. Leaders should recognize the benefits of agility in responding to market changes and fostering creativity. Break down departmental silos and support collaboration between different areas and teams. Move away from rigid, long-term planning towards a flexible and iterative approach.

Integrate agile project management methods

Integrate agile project management methods such as Scrum or Kanban to ensure adaptability and continuous improvement. Establish open and regular communication channels. Regular check-ins, stand-up meetings, and feedback sessions can help keep all stakeholders informed and aligned with the organization's goals.

Promoting a culture of self-determination and autonomy

Empower team members to take ownership of their tasks and decision-making processes. Focus on a customer-centric mindset. In the art world, the "customer" be the audience, the artists, or the staff. Identify their needs, gather feedback, and adapt your strategies accordingly.

Develop an attitude that is open to change

Adaptability is crucial in the art market, as trends can change rapidly. Equip your team with the skills to handle uncertainty and respond proactively to changes in the industry.

Recognize and appreciate both large and small successes.

Promote respectful communication

Communication is the essential element of any organization and plays a central role in the art world for shaping narratives and fostering interpersonal connections. The shift towards respectful communication requires the recognition and appreciation of diverse perspectives, opinions, and contributions.

Establishing an environment that encourages constructive feedback contributes to creating a culture of continuous improvement. This not only enhances the quality of the art performed but also strengthens team cohesion.

Annika Wittrock , marketing coach for artists & creatives, gives 10 tips for promoting a culture of constructive criticism in a growing team

How can an Agile Coach help with this?

An Agile Coach can help a museum in various ways to integrate agile methods into its management processes.

Agile.Coach GmbH & Co. KG
The Agile Coaches of Agile.Coach GmbH & Co. KG offer training and coaching from Berlin, see https://agile.coach/de/

Here are concrete steps and approaches on how this can be done:

Introductory analysis and consultation

  1. Needs analysis : The Agile Coach begins with a comprehensive analysis of current working methods to identify the museum's specific needs and challenges. This includes discussions with employees at various hierarchical levels and observation of existing processes.
  1. Workshops and training courses : Introduction of the basic principles of agile project management through workshops and training courses for all relevant employees. Fundamental concepts such as Scrum, Kanban, and Lean Management are explained.

Implementation of agile methods

  1. Scrum Framework : Introduction of the Scrum framework for project teams. The Agile Coach assists with setting up Scrum roles (Product Owner, Scrum Master, Development Team), establishing Product Backlogs, and conducting regular sprints.
  1. Kanban boards : Implementing Kanban boards to visualize workflows and promote continuous improvement. This is particularly useful for teams working on ongoing projects and tasks, such as organizing exhibitions or maintaining collections.

Promoting flat hierarchies

  1. Self-organized teams : Support in forming self-organized, interdisciplinary teams that can work independently on projects. This reduces administrative hurdles and promotes direct communication and collaboration between team members.
  1. Leadership coaching : Coaching for executives to foster a new culture of trust and delegation. Leaders learn to focus on the role of mentors and coaches rather than pure control.

Establish iterative feedback loops

  1. Regular retrospectives : Introduce regular retrospectives at the end of each project phase or sprint. These meetings serve to review what went well and what can be improved. The team reflects together and plans concrete measures for optimization.
  1. Establish a feedback culture : Create an open feedback culture in which employees can regularly give and receive feedback. For example, surveys, regular meetings, or digital tools can be used to collect feedback.

Adaptation and scaling

  1. Pilot projects : We begin with smaller pilot projects to test the agile approach and achieve initial successes. The insights gained from these pilot projects are used to expand the methods to larger projects and other departments.
  1. Continuous Improvement : The Agile Coach supports the museum in continuously evaluating and adapting agile practices. This ensures that methods and processes always meet the museum's current needs and challenges.

Accompanying measures

  1. Change Management : Implementation of a comprehensive change management plan to facilitate the transition to agile methods. This includes regular communication of the benefits and progress to all employees.
  1. Agile tools and technologies : Introduction and training on agile tools and technologies that support the new processes, such as Jira, Trello or other project management and collaboration tools.

Example results

Successfully integrated agile project management can help the museum to plan and implement exhibitions faster and more flexibly, to respond more efficiently to visitor feedback, and to create an innovative and collaborative working environment that increases the museum's appeal to both staff and visitors.

Through close collaboration with an Agile Coach, the museum can continuously learn and improve, ultimately leading to a more sustainable and competitive organization.

Sources, expert support and further information:

  1. Sulit, Vincent / The University of San Francisco , “Applying Agile Project Management to Art Museums: A Proposal for Implementing a Generalist Scrum Master” (2017). Master's Projects and Capstones. 720, https://repository.usfca.edu/capstone/720
  2. Henry Mintzberg / Harvard Business Review, July 1, 1996
Owner and managing director of Kunstplaza . Publicist, editor and passionate blogger in the field of art, design and creativity since 2011.
Joachim Rodriguez y Romero

Owner and Managing Director of Kunstplaza . Publicist, editor, and passionate blogger in the fields of art, design, and creativity since 2011. Graduated with a degree in web design from university (2008). Further developed creative techniques through courses in freehand drawing, expressive painting, and theatre/acting. Profound knowledge of the art market gained through years of journalistic research and numerous collaborations with key players and institutions in the arts and culture sector.

www.kunstplaza.de

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