"Cultural property protection law" : A difficult word that does not immediately reveal the full scope of the uninformed reader. Behind it is there a controversial idea, through the content of which the art world vehemently goes into resistance.
Cultural property protection law
The extent of the current debate clearly shows the importance of this planned change in law, and can be followed live #kulturzutzgesetz law
Twitterstream on the subject of cultural nutrition law (extract from July 16, 2015, 4:10 p.m.)
The planned cultural property protection law of Minister of Culture Grütters is basically a modernization of the Cultural Heritage Protection Act . Although the idea behind the law is actually an honorary value in the opinion of BR journalists and art experts Stefan Mekiska, it puts the art scene in violent riot and encounters considerable resistance from dealers, collectors and artists.
It aims to keep cultural assets of national importance in the country. But it threatens that the freedom of cross -border exchange is circumcised.
The following contributions bring the topic and its explosive closer to you and summarize the central points:
1) Tagesschau.de: Dispute over Cultural Protection Act - Exodus for the German art scene?
Exhaustion of artists - or necessary protection of national cultural assets? The spirits differ on the planned reform of the Culture Protection Act.
If one of the most renowned German artists of the present reclaims his loans to German museums, the trouble must be great. The painter Georg Baselitz does exactly that, other artists and art patrons want to follow his example - in protest against the planned reform of the cultural nutrition law. They fear losing the rights to their works.
The triggers are the plans of Minister of Culture Monika Grütters (CDU), who wants to adapt the cross-border trade in art and cultural goods to strict rules and EU law.
Minister of Culture Grütters has now defended her plans. […]
2) Bayrischer Rundfunk: Culture Protection Act-art dealer in panic
It is a political statement: the painter Georg Baselitz withdraws his loans from the German museums. The reason is the modernization of the Cultural Heritage Protection Act. It moves the art scene in turmoil - also in Bavaria.
A "violation of the constitution", a "cold expropriation" and a "sky -screaming injustice". Konrad Bernheimer, one of the best -known European art dealers, speaks with bluntly openness when he talks about the planned change in the Cultural Protection Act. […]
3) RP Online: Analysis - the draft law is outraged by the art scene
The planned cultural property protection law encounters resistance from dealers, collectors and artists. It wants to keep cultural assets of national importance in the country. But it threatens that the freedom of cross -border exchange is circumcised. […]
4) FAZ: Cultural property protection law - Who is damaged?
The art world is head. Because a cultural protection law is planned, Georg Baselitz pulls out works from German museums. Gerhard Richter and the descendants of Max Beckmann consider similar steps. How important are permanent loans? […]
5) Süddeutsche Zeitung: Cultural property protection law - all -clear for artists and collectors
Minister of State Monika Grütters rejects criticism of the cultural nutrition law. However, there are initial changes: the state will not control apartments.
The new Culture Protection Act, currently a draft of a speaker in the phase of the so -called departmental tuning, has triggered a huge, almost bubbling excitement. Minister of Culture Monika Grütters, who has been campaigning for the amendment to the law for weeks, obviously does not take the protests easily.
At a press conference on Wednesday, she once again defended the law and, despite all the determination, showed how much she made the criticism. […]
Owner and Managing Director of Kunstplaza. Journalist, editor, and passionate blogger in the field of art, design, and creativity since 2011. Successful completion of a degree in web design as part of a university study (2008). Further development of creativity techniques through courses in free drawing, expressive painting, and theatre/acting. Profound knowledge of the art market through years of journalistic research and numerous collaborations with actors/institutions from art and culture.
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