Abstract art - overview

Have you ever stood in front of a work of art and were you impressed by both its visual intensity and were completely perplexed by his statement? What is that supposed to represent? Is that art or can it go away? What does the artist want to convey to me?

If such thoughts have ever gone through their heads when a work of art was watched and they could not let go of it, it was very likely that it was an abstract work of art.

What is abstract art? - a comprehensive definition

Abstract art - also referred to as "objectless art" or "non -representative art" - is a collective drawing for the 20th century, which appears after 1900. It uses the artistic designs, partly or completely from the object, and thus has a intersection with cubism.

In abstract works, it is also worked completely detached from nature and real objects. In principle, abstract artists reject any representation. Their awareness and creative drive are based on aesthetics for their own sake.

Briefly and concise to the point:

Abstract art is art that does not try to create a precise representation of a visual reality, but use areas, lines, colors, shapes, textures and gestural signs to achieve their effect "

The term “concrete art” is always in this context and a demarcation to abstract art is only possible to a limited extent. The term was introduced in 1924 by Theo van Doesburg and in 1930 in a manifesto when founding the Art Concret .

Strictly speaking, it stands for a direction of art, which ideally is based on mathematical-geometric basics.

In addition to music, non -regardless art purest artistic forms of expression . It gives artists the perfect freedom, feelings and emotions to communicate freely through figurative elements in objective reality.

Abstract art also often bears a moral dimension by standing for virtues such as order, purity, simplicity and spirituality and propagates it in visual form. central current of modern art since the beginning of the 20th century .

Abstract paintings can be manufactured using many different media, with many artists using acrylic paints. Abstract oil paintings also very common among contemporary artists. Their Canvas art are very much in demand by collectors, dealers and art lovers around the world.

What is the idea behind this art movement?

As already mentioned at the beginning, the key topic is the aesthetics as such and the liberation of the forms of expression from a representative corset.

The ideal roots are likely to go back to ancient Greece. The philosophical adjustment for the classification and appreciation of the formal qualities of an oeuvre is therefore already from a statement of Plato :

Lines and circles are ... not only beautiful ... but forever and absolutely beautiful. "

Basically, Plato wanted to express that non -representative images (e.g. simple geometric shapes) have an absolute, non -variable beauty.

According to this, a work can only be recognized and valued on the basis of its lines and colors - it is not obliged to present a natural object or a representative scene.

The French painter, lithograph and art theorist Maurice Denis (1870-1943) was obviously aware of Plato's idea when he wrote:

Remember that a picture - before it becomes a battletross or a naked woman ... essentially a flat surface that is covered with colors in a certain order. "

Some representatives of the abstract arts also describe their ambitions in such a way that they want to create the pictorial equivalent of a piece of music that can be viewed and valued for themselves solely. You shouldn't have to ask yourself the question, "What is this painting about?" .

The history of art abstraction - from the beginning to today

Forerunner in the Stone Age

If we go out a little, the abstract art began with prehistoric engravings about 70,000 years ago. For example, from this time, two boulders engraved with abstract geometric patterns were found in the Blombos cave in South Africa.

Then there were archaeological finds from abstract red-collar-colored points and hand stencils, which in the paintings of the EL-Castillo cave from 39,000-34,000 BC. Chr.).

After that, abstract symbols apparently became the predominant form of paleolithic cave art for a long time and could be found about twice as often as figurative images.

Origin and beginnings in the 19th century

Abstract art in the form as we know it today is much younger. Its origin lies in the departure of classic academic painting in the late 19th and early 20th century.

Before that, paintings and sculptures traditional principles of classical realism, as they were taught large academies in Europe As the primary obligation of art, these stated that it was a recognizable scene or a specific object.

The era of the late 19th and early 20th centuries, which was characterized by such an abundance of artistic work, produced a whole series of painters, which examined the relationships and inherent mechanisms of light and visual perception.

Many well -known artists painted according to the methods of classical realism , with realistic perspectives, shades and other techniques being used to create historical scenes and objects.

The romantic style was characterized by an attitude towards art that rejected the imitation and idealization of classicism . Instead, the role of imagination and the unconscious were now emphasized as essential creative factors.

Little by little, many painters of this time estimated the newly achieved freedom of design and the new demands that were associated with the growing of these attitudes. Impressionism as a style era (approx. 1870–1880) already showed the first approaches to a departure of strictly figurative painting .

In particular, the variants of neo -ancpressionist pointillism and post -impressionism drawn attention to the special effect of color as a stylistic device.

German expressionism finally made the free use of shapes and colors the cornerstone of painting. The subsequent Art Nouveau movement / Art Nouveau (around 1890-1914) also influenced the development of abstract art.

Maurice Denis' quote from 1890 (see above) sums up this upheaval. It skillfully summarizes the predominant feeling among the symbolist and post -impressionist artists of his time.

Early 20th century

All important movements of the first two decades of the 20th century, including fauvism, expressionism , cubism and futurism, in a way emphasized the gap between art and the natural appearance of its motifs.

However, there is a significant difference between the simple abstraction of the actual appearance of a motif and the creation of works of art from shapes, lines and structures that have no equivalent in our natural environment.

In the years before the First World War, artists such as Robert Delaunay, Wassily Kandinsky, Kasimir Malewitsch and Vladimir Tatlin to fundamentally abstract art.

Kandinsky is generally considered the first modern artist who painted purely abstract images between 1910 and 1911 without any recognizable object cover. “On the Spiritual in Art”, published in 1911, became a founding manifesto.

In the meantime, however, it is assumed that five years before Kandinsky, the Swedish artist Hilma AF Klint created the first abstract painting in Stockholm. Their futuristic works with biomorphic and geometric forms on a striking background were revolutionary for their time.

While Kandinsky was working as a successful painter, Klint's works were long unnoticed due to her calm manner. Most of her kept her work to herself and hardly showed her in exhibitions.

She asked her family to have her works only published twenty years after her death because she believed that the world was not yet ready for her vision. Their works of art stayed in the dark until 1986 was awakened.

This new way of painting was considered "pure art" , since the motifs came exclusively from the heads of the artists and were not copied or referenced in the real world. The formal qualities of a work of art were highlighted compared to its reference.

However, this complete task of any representation level was rather critically viewed by the majority of even progressive artists of that time. During the First World War, the emergence of the De-Stijl group in the Netherlands and the Dada group in Zurich expanded the spectrum of abstract art.

Paul Klee is often not given among the names, which in discussions about abstraction in the art of the early 20th century fall regularly - and that is indeed unjustified. His extensive overall work, which includes both early and late creative periods, offers an abundance of impressive examples of the development of abstract visual worlds and effective painterly abstraction processes.

While his contemporary fellow artists often dealt radically with the topic and the audience literally pushed their heads off with their opposing compositions, Klee strived for connections and continuities with his abstract pictures. In many of his works, he integrates representative elements and opens up new possibilities for interpreting and interpretation through well -thought -out titles. This could even have been a decisive reason for the remarkable success of this artist.

Abstraction. The cool romance of this style without pathos is outrageous ”,

Noted Klee in 1915. A further determination of the abstract in art from the same year now appears more relevant than ever and can be applied to modern existence:

The more terrifying this world, the more abstract art, while a happy world produces art on this side. ”

These insights not only show Klee's profound examination of art, but also invite you to rediscover his work and to reflect on its relevance in our time.

Klee's abstract work "Fire at full moon" is a radiant example of the use of abstract forms to present a multi -layered idea. Fire and moon symbolize repeating geometric shapes, which are surrounded by darker areas that show the dancing flames and the attraction of the moon. The intense colors also increase the feeling of a pulsating movement, while the dark and gray areas create a calming contrast.

Paul Klee's abstract works are deeply rooted in the subjects of nature, architecture, music and characters. These elements enabled him to work out the essence of painting. Its art shows a rich use of line and color and reveals a variety of implementation options. For example, the colorful abstraction of its watercolored garden views from Hammamet (1914) varies the explosive compositions during the First World War.

In the Bauhaus period, color field painting, which represents flowering trees, is transformed into minimalist forms of architectural associations. His late works are particularly concise, in which dark signs remind plants or characters. As an enthusiastic musician, Klee also finds rhythmic structures in his abstract compositions, from which music tones and melodies can be heard.

World wars and post -war period

The advance of this art direction was stopped by the world wars. In view of the totalitarian politics and the art movements , which increasingly rely on images of surrealism and socially critical realism , abstract works were hardly considered during this time.

Only after the end of the Second World War did an energetic American school for abstract painting - this bore the name "Abstract Expressionism" and should have great, sustainable influence on the art world.

Since the 1950s, abstract art has been a recognized and widespread approach in European and American painting as well as sculpture. This art movement has undoubtedly confused many people and is still only causing a shake of the head with one or the other viewer.

For those art lovers who accept and appreciate their non-referential language, however, there is no doubt about their value and the achievements of their artists.

7 forms of non -objective art in detail

In order to be able to make a logical division within this collective drawing, the following six basic types can be distinguished from each other in terms of stylistically based on certain characteristics:

01 curvilinear art

This type of crooked abstraction is closely associated with Celtic art, which used a variety of abstract motifs and patterns. This included knots, braid patterns and spirals (including triskeles).

The Celts were surprisingly not the creators. Older cultures used these Celtic designs in the centuries earlier. However, one cannot deny the Celts that they have breathed new life into this art form, further developed the level of detail and the finesse and have contributed significantly to their distribution.

Later, curvilinear motifs returned during the Celtic Revival Movement of the 19th century and the influential way of the 20th century, especially in book envelopes, textiles, wallpaper and chintz designs by William Morris (1834-96) and Arthur Mackmurdo (1851-1942).

William Morris

Near London, more precisely in Walthamstow, William Morris saw the light of day in 1834. His family belonged to the wealthier layer of society, because his father worked on the stock exchange and thus bequeathed a considerable heir.

Morris' interests and skills were varied and ranged from painting to poetry to arts and crafts and architecture.

A passionate nature lover was Morris, which was also in his artistic decorations against mirrors te, which were provided with delicate flowers and birds. His colorful works covered his occasionally slightly easy temperament.

Under his leadership, the company expanded increasingly and now also produced carpets, wall hangings and wallpapers.

Although Morris dealt with work on his company until his death, he still found the time to devote himself to his passion for carpet art and writing poems and legends.

Arthur Heygate Mackmurdo

Arthur Heygate Mackmurdo was a visionary architect and designer from England, whose ideas significantly influenced arts and crafts movement In particular by founding the Century Guild of Artists in 1882 in cooperation with Herbert Horne, he set important impulses for the development of abstract art.

As a pioneer of Modern Style, he is considered a driving force of the global Art Nouveau movement.

Crooked abstraction also had an impact on Islamic art .

02 Art with a strong color and light reference

As an example for this type, work by William Turner (1775-1851) and Claude Monet (1840-1926) are to be mentioned. These skillfully use color or light that they solve the work of art from the in question, while the object dissolves in a vertebrae of pigments.

William Turner

William Turner , one of the most important English artists, was included in the Royal Academy in 1789. In addition to his studies, he also completed an apprenticeship with the watercolor painter Thomas Malton. He first took part in an exhibition by the Royal Academy with his watercolors in 1790 and submitted his first oil picture there six years later.

After a period of travel that led him to Scotland, Switzerland and France, Turner opened his own gallery in 1804. In 1807 he received a professorship at the Royal Academy and began “Liber Studiorum” , a directory in which he made painting under certain criteria.

A trip to Italy in 1819/20, in which he lingered in Rome for a long time, led to Turner's change in style. This increasingly moved away from realism, which led to violent criticism. Some of his late works were no longer exhibited in the Royal Academy due to the dissolution of the in question.

Turner later traveled to the south of Europe, especially to Venice, which fascinated him with his transfigured colors and inspired several pictures. With his pictures painted in light and pure colors, it is one of the most remarkable landscape painters of romance .

Fauvism

Several fauvist works by Henri Matisse (1869-1954) can also be assigned to this type. The same applies to a number of Kandinsky's expressionist pictures and works by his colleague Franz Marc (1880-1916).

The Czech painter Frank Kupka (1871-1957) also created some of the first color-intensive abstract paintings, which later Robert Delaunay (1885-1941). This was also based on color in his style of orphism , which was also inspired by cubism.

Color field painting & lyrical abstraction

In the late 40s and 50s, the color-related abstraction in the form of the color field painting Mark Rothko (1903-70) and Barnett Newman (1905-70) reappeared.

Color field painting, which uses large areas in bright and intense colors, was also silently represented by Clyfford . Color field painting is characterized by the fact that it focuses on the play of colors and not on certain ideas or shapes. Large -format canvases were used to give works an amazing expression.

By avoiding conventional image arrangements and figurative representations, space was given to the immediate effect of the pure colored areas. Mark Rothko is one of the most important representatives of this movement. Abstract compositions with many rectangular fields in different shades of the same or similar character determine oeuvre. Although strong main colors are also used, warm earth tones dominate.

Similarly, Clyfford experimented in his works with even more abstraction. In the course of this, he created large -format paintings with powerful, contrasting colors. So the artist created a strong emotional reaction.

With its revolutionary approach, color field painting created new rooms for personal sensations and provoked emotions from the viewer by avoiding conventional departure approaches. The lyrical abstraction as a competing form of this style first appeared in France in the 1950s.

03 geometric abstraction

This form of rather intellectual art with the help of geometric forms was created at the end of the first decade of the 20th century. An early, still less developed form was cubism, especially analytical cubism.

This completely rejected the linear perspective and the illusion of spatial depth in a painting and broke with many prevalent standards in the world of art with many to date. This radical reorientation had the artists concentrate fully on 2-D aspects of an image.

Geometric abstraction is also known as concrete art and non-objective art -with strong focus on non-naturalistic images, with recourse to simple geometric shapes such as circles, squares, triangles, rectangles, etc.

The complete lack of a reference and also any other connection to the natural world makes it the purest form of abstraction.

Exemplary works of concrete art are:

• Black Circle (1913) by Kasimir Malevich (1878-1935)-exhibited in the State Russian Museum in St. Petersburg
• Broadway Boogie-Woogie (1942) by Piet Mondrian (1872-1944)-exhibited in the MoMA in New York
• Composition VIII (Die Kuh) (1918) by Theo van Doesburg (1883-1931)-also exhibited in the MoMA in New York
• Homage to the place of Josef Albers (1888-1976)

04 op art

Optical art , sometimes also known as an op art , was created for the first time in the 1960s. The Hungarian artist Victor Vasarely (1906–1997), who dealt intensively with optical phenomena, significantly shaped this movement.

In order to create visual illusions, op art artists-including well-known artists such as Julio Le Parc , François Morellet and Yaacov Agam -played with colors, shapes and light. It was like a reversal of the movement of abstract expressionism of the decades before.

While the operating art focused on deceiving the viewer's gaze and putting it into a state of visual obsession, the artists of abstract expressionism communicated their feelings and emotions with dynamic brush strokes. Geometric patterns and illusion effects shaped this art movement.

Pictures were created in which the viewer could not distinguish between the background or realistic representation of pure design by skillful play with color and shape contrast. The makers of the op art were not only about an aesthetic experience, but also about the active integration of the audience.

They invited it to see through the visual illusions and to solve the puzzle behind the work of art by testing his senses. Due to this interactive component, OP ART was a remarkable artistic trend.

Optical art also had an enormous influence on other areas such as design and architecture. Their principles were used in the design of everyday objects, building facades and even fashion.

05 emotional or intuitive abstract art

This is so -called intuition art . It is basically characterized by a mix of styles. A common topic can be seen that is characterized by a naturalistic tendency.

This tendency towards naturalism is revealed in the way of shapes and colors used. In contrast to the geometric abstraction, which almost completely does without references to the figure in question, this art form goes a somewhat different direction.

The intuitive abstraction wants to produce nature in its works, but in a less representative way.

Two important sources for this type of art are organic abstraction (also biomorphic abstraction ) and surrealism .

The most famous representative of this form of painting was Mark Rothko, .

Exemplary works of intuitive abstraction are in addition to Mark Rothko's paintings:

• Composition No. 4 (1911) and composition VII (1913) by Wassily Kandinsky -exhibited in the art collection North Rhine-Westphalia and Tretjakow gallery
• The typical plate, fork and navel (1923) by Jean Arp (1887-1966)-in a private collection
• Ms. (1934) by Joàn Miró (1893-1983)-also in a private collection
• Incape: Psychological Morphology NO 104 (1939) of Matta (1911-2002)-also in a private collection
• Infinite divisibility (1942) by Yves Tanguy (1900-55)-exhibited in the Allbright-Knox Art Gallery in Buffalo (USA)

Examples in sculptures and sculpture:

• The kiss (1907) by Constantin Brancusi (1876-1957)-Kunsthalle, Hamburg
• Mother and child (1934) by Barbara Hepworth (1903–1975) - exhibited in the Tate Gallery
• Giant PIP (1937) by Jean Arp - exhibited in the National Art Museum, Center Georges Pompidou, France
• Three standing figures (1953) by Henry Moore (1898-1986)-Guggenheim Museum, Venice

06 gestural abstraction

The gestural abstraction is a modification or sub -form of abstract expressionism. The process of producing the painting is more important than was usually the case to date.

For example, color can be applied in an unusual way. The brush guide is usually very loose, spontaneous and fast.

Famous American representatives of gestural painting are Jackson Pollock (1912-56), the inventor of action-painting and dripping technology , and his wife Lee Krasner (1908-84), who inspired him with their own form of drip painting.

Jackson Pollock described the abstract art as an "revealed energy and movement" , which freed his psyche and gave her a voice. In this art form, he found the freedom to create the environment beyond faithful replicas. Abstract artists were encouraged to create "out of the gut"

Other important representatives are Willem de Kooning (1904-97), famous for his "Woman" series of work, as well as Robert Motherwell (1912-56), who gained world fame for his series "Elegy to the Spanish Republic" .

In Europe, this form of abstraction by Tachism and the group Cobra -especially Karel Appel (1921-2006) is to be emphasized here.

07 minimalism

Minimalism promptly followed as an avant -garde art flow in the United States as a counter -movement to the gestural painting of abstract expressionism. As postmodernity , so to speak.

It was also freed from all external covers and associations. It is reduced to what you actually see - nothing else.

Minimalism often takes on a geometric shape or is arranged by geometry in its structure. This art flow is dominated by sculptors and has been represented in architecture and also in modern design since the 1980s.

The Museum Barberini in Potsdam presented in an impressive exhibition on ninety works of art by the painter Gerhard Richter . The focus was on the art of abstraction. In this show, Richter's works from more than fifty years were classified in a context. The Berlin-AV had the opportunity to meet Gerhard Richter on the occasion of the opening of the exhibition. In the video, he reports on various aspects of his artistic work during a press conference.

Gerhard Richter, often referred to as the "Picasso of the 21st Century" , is celebrated for his diverse works. an exhibition in the Haus der Kunst presented a comprehensive selection of his abstract paintings that have been created since the 1970s. These large -format works, mostly created in series, reflect Richter's intensive examination of the principles and limits of painting.

His creative process is characterized by a "planned spontaneity" in which he works without a prefabricated motif and incorporates chance. With brushes, racles and spatulas, layer by layer of changing color dates, which often lead to spatial structures, but never become clearly recognizable objects. Many of these paintings go through thirty conditions, with the remains of the process remaining captivating.

The more than fifty works in the exhibition were characterized by their breathtaking color intensity and are a visual experience of "cascading intoxicating-psychedelic colors" .

Why does abstract art captivate us so strongly?

Perhaps you have been like that you have caught how you got stuck on a certain abstract work of art, looked at it for a long time and felt suction power

It is not easy to explain, but not to deny. Non-none art can trigger a very own fascination that can captivate our minds. It can start different associations and thought processes for viewers and sends our imagination on a trip.

Understanding abstract art is not particularly difficult at first - everything you need in principle is an open mind and a good dose of imagination.

The first step is to get away from well -known and stuck beliefs. The understanding of abstract art is primarily about things that we know and recognize them, look out. Then the true power of these works unfolds.

The Armenian -born draftsman and painter Arshile Gorki sums it up as follows:

The abstraction enables man to see with his mind what he cannot physically perceive with his eyes. The abstract art enables the artist to perceive the infinite beyond the tangible and to get it out of the finite. It is the emancipation of the mind. It is an exploration of unknown areas. "

(analogy translation from English)

Abstraction is rooted in the "intuition" (the artist) and in "freedom" (both for the artist and the viewer). It is the ability of the artist to look out the physically visible with his imagination and to transfer immaterial emotions to the screen.

It is also the ability of the audience to connect with the artist's intention in abstract art and to free his own mind from visual restrictions.

The most important thing that you have to understand about this art form is that it does not have to have a concrete meaning, history or even a clear explanation.

Rather, their main purpose is to promote imagination and intuitive access. This art form is primarily about offering the viewers an incomprehensible and emotional experience - and mostly this experience is completely different for everyone, depending on their individual personality and its state of mind at the time of consideration.

All of this makes the artless art so incredibly exciting and enriching.

Understand abstract art - a small guide

We have learned that it is not about recognizing and finding familiar figures or patterns in abstract works.

If the explanations in the last section are too generally formulated and you still shouldn't be clear about how to deal with it, then the following tips may help you:

• When trying to understand abstraction, it is important to recognize that there different ways to approach art and classify it.
• In order to appreciate the abstraction, the focus should not be on how realistic the artist painted something or someone and how many sophisticated details are, but rather on how successful a work is to create emotions and establish a deep connection to the artist.
• Abstract paintings can also be estimated in terms of the individual elements : color, shape, line, texture, space, intensity, etc. The skills of an abstract artist lie in his skills to use colors and textures as well as possible and to create a perfect (sound) composition from these elements.
• Don't look at the clock! It is not necessary to stand in front of an abstract work for hours. But take the time as long as you are intuitively touched by a work. So time shouldn't matter. Under no circumstances do you sit down in advance.
• We all know that art is subjective and sometimes there are works that we simply cannot connect to, especially when it comes to abstract art. Accept this fact or try again at another time.
• Do not appreciate the artist's imagination or value! If you don't like a job or you just can't do anything with it, just sine about what makes you feel like this. You may open access to a new perspective. And this is exactly where the secret of this kind of art is.
• Ignore the title! In most cases, abstract pictures have an extremely vague title (e.g. "number 4" or "black and red"). Don't be put off by it. Most abstract artists deliberately use no meaningful or even advertising names. Rather, they value that they interact with their art and finally find their own meaning for themselves. Only in some cases can you be helpful to steer your imagination in a certain direction.
• Read the wall text or explanations in accompanying art guides or brochures. This content can give you valuable information about the background or the artistic intention of the artist. Tip: But first try it without any context - this ensures a more intense and freer experience.
• Let the picture speak to you! Free your mind from any other thoughts. Close a little time to the work and let the picture pass on its emotions to you. Watch the colors and textures. What do you feel? What thoughts do you shoot through your head? Jackson Pollock once said: "Let the picture ask the questions instead of the other way round."
• Don't put yourself under pressure! Don't worry if you do not feel something directly in every picture. It is not necessary for an abstract painting to obtain a contextual side, that is, they do not have to be able to feel every emotion that may convey. If it doesn't do anything for them, it's a good thing. Negative emotions are also possible and should be approved.
• Don't forget that abstraction does not have to have any meaning! While the understanding of a work of art can cause a moment of victory, immersing in its mystery brings a persistent pleasure.

What is abstract photography?

In the world of abstract photography , photographers use the aesthetics and techniques of abstract art and reproduce them in photography. This is done by a combination of ordinary objects, sceneries and photographic techniques to create images that correspond to the other forms of abstract art.

Barbara Crane was a photographer who used extreme close -ups, exaggerated shadows and overexposure to create experimental optics that distorted traditional cityscapes.

In her loop series, she converted skyscrapers and apartment blocks into contrasting, geometrically abstract images. The artist described her approach as follows:

Even if I use past experiences as the basis, I try to take old visual and thinking habits. I keep looking for something that is visually new to me. At the same time, I hope that the shape and content merge. "

Kimberly Poppe also uses her camera to open up new perspectives. Their landscape shots are more shaped by the paintings of Rothko than the illustrated ocean panoramas. The American abstract Expressionist is one of her most important influences.

The contemporary photographer and visual artist Sven Pfrommer, impressively devotes himself to abstract photography and works with great success worldwide.

In which museums and exhibitions do I find significant abstract works of art?

While artless art can be seen in most larger art museums in the world, there are a number of remarkable collections in renowned museums that are home to important and special works of this art movement.

A visit to the following important museums is particularly worthwhile:

• Museum of Modern Art (MoMA), New York
• Samuel R Guggenheim Museum, New York
• Albright-Knox Art Gallery, Buffalo, NY
• Tate Modern Gallery, London
• Georges Pompidou Center, Paris
• Guggenheim Bilbao
• Guggenheim Venice
• Art Museum, Basel
• Stedelijk Museum, Amsterdam
• Musée National d'Art Moderne, Paris
• Momat, The National Museum of Modern Art, Tokyo
• Art Institute of Chicago
• Museum of Contemporary Art, Sydney

Buy abstract art - what you should pay attention to

In exchange and in conversations with other galleries and also in the Art Trade Reports of recent years, we have found a tendency that there is a new generation of young art collectors who can be assigned to the digital natives and almost exclusively buy online art.

In addition to Urban Art and Street Art, it is primarily abstract art that is often acquired on the network. As the upper price limit, an area has manifested around 25,000 euros, which means a significant increase in the value of the online works over the past few years.

According to The Art Basel and UBS Global Art Market Report 2024, trust in global online sales has increased again in 2023 and achieved globally estimated $ 11.8 billion, which corresponded to an increase of $ 7 % compared to the previous year (2022) and issued 18 % of the total turnover of the market.

Abstract art in our online gallery

In our virtual art gallery, of course, you also have the opportunity to acquire unique and colorful abstract works of art - directly from the artist or gallery partner.

Each one of these paintings was created with passion and outstanding skills by a talented artist. Explore the diversity of the most artistic forms in your most abstract form and be inspired by pictures that tell your personal story.

Dive deeply into a world full of creative inspiration with our extensive range of exquisite abstract masterpieces.

The works of this collection can be purchased, either directly from the artist or over his gallery. Simply click on pieces of your choice to learn more.

Abstract paintings in our cooperation galleries

Singulart  and Artfinder  also offer a multifaceted collection of abstract works of art. The online galleries are known for their carefully curated collections. Both established and aspiring international artists are presented.

Works with special expressiveness in design diversity can be found at Ars Mundi .

These partner galleries offer a large selection of abstract works of art that fit every conceivable style of furnishing, regardless of whether they prefer living colors, energetic shapes or gentle textures.

Further tips and guides

You can find out more information, tips and recommendations for the purchase of abstract works of art in our topic contributions:

• How do I buy abstract art online?
• Buy works of art online - 10 essential tips for your art purchase online

Contemporary art of the German and Austrian expressive abstraction

Anyone looking for contemporary artists with a clear tendency towards non-objective forms of expression will find what they are looking for in the heart of the art and cultural city of Dresden .

Here, Thomas Stephan with Inspire Art launched a contact point for artists with a focus on expressive abstraction, which has grown all the time since then and, last but not least, flourishes by a talented, authentic and committed team of artists and has become a center for art staff, artists and art dealers.

The established tribe of Inspire Art includes Etienne Donnay, Florian Maiorescu, Marcin Marz, Mila Plaickner and Elena Drobychevskaja.

As already mentioned in the previous sections, informal painting The team from Inspire Art would like to counteract this with its approach, primarily to present modern sculptures in an understandable and authentic manner. It is expressly desired that exciting and creative discussions take place in the light -flooded rooms of the Dresden art gallery.

You can regularly keep up to date on new publications of German and international artists at www.inspire-art.de.

On the online presence of the gallery you will also find an overview of your extensive portfolio of modern art as well as its fascinating and diverse collection of contemporary art positions of different artificers - with strong focus on abstract art.