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KI - Danger for Art? A comment by Otto Frühwach

Otto Frühwach
Otto Frühwach
Otto Frühwach
Fri, 26 September 2025, 17:47 CEST

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For some time now, freely accessible and mostly free AI programs have been on the market that create pictures with voice commands, à la Kleiner Prince: "times a sheep!" .

The discussion to what extent art and artists are threatened by AI is in full swing. Many already fear the artistic fall of the West.

Is everyone an artist now?

So now the most artistically undemanding and unamatated images can generate pictures that were said about times of Ki: "There is talent." But after a short time we were fed up with these pictures and pictures and no longer impress them.

An artist is needed to create a work of art with AI! So the artist who paints or draws does not have to worry about AI.

  • Is everyone an artist now?
  • Danger for the art of utility
  • Theft on intellectual property
  • AI art can only be printed
  • Democratization of art by AI
  • Problems for photographers
  • "Everyone can do a do-it-all!"
  • Analog and digital

Danger for the art of utility

The situation is different with the art art and graphics. In this area, the workplaces and sources of income of the active by AI are just as threatened as the farrier, saddle maker, tapper and jockeys by inventing the automobile a hundred years ago. But from coaches, chauffeurs and stable boys became mechanics, which is why you shouldn't panic here either.

Large companies will likely reduce their graphic design departments from three to one, for example, who will then handle everything with the help of AI. However, the boss of a small company won't commission the warehouse worker or the cleaning staff to design flyers using AI. Instead, they will continue to outsource this to freelancers. With the help of AI tools, complete the job much faster and, freed from the tedious part of the work, devote more time to the creative side.

Theft on intellectual property

As for the mutual property of others, artists of all epochs did it and let their predecessors or contemporaries be "inspired" . Since the AI ​​programs are trained with images created by artists, I think that remuneration must take place here. This could be z. B. make quite simple by providing a certain proportion of the sales of the AI ​​companies of the VG Wort or VG Bild-Kunst .

If countless artists today abstract images in the style of Gerhard Richter's “rock”, do they then attack their intellectual property? In my opinion, these pictures are often “qualitative” to do nothing to those of judges in nothing and some surpass some, even their works as far as the “nutrition” for those considered. Nevertheless, such a picture is not a "judge", and only a few are willing to pay for a per thousand of the prize of a judge.

AI art can only be printed

With all criticism: Please do not forget that all images that were created using AI are only printed haptic. So they are neither drawn nor painted with oil or acrylic, accessible to the senses. And even if future printing processes should enable pasty printing with oil or acrylic paints, which will probably be the case within the next decade, the layperson will also be able to distinguish such images from hand painted. Just as you can easily distinguish the offset pressure from a screen printing or lithograph.

The attraction of the painted or drawn unique crowd will never be replaced by AI. "

Democratization of art by AI

How the Internet has democratized and has made it accessible to the art market and art -loving and artists, so a democratization of the art of art place through AI.

What do I mean by that? Everyone has the need to create something, but only a few are talent or physical ability. Through AI, people who could not even lead a brush or pencil through physical restrictions that make pictures visible in their heads through voice commands. With AI, all people now have the opportunity to create an appealing picture and enjoy it.

You can have it printed and hang on the wall and do not need to go to the decorative department of the hardware store. The counterpart to this is the billion -dollar peak of vacation photos. Even if the quality is miles away from that of an experienced photographer, people are particularly successful and attached to it because it is their "own" photo. Image generation through AI tools also has a social and including function.

In my opinion, a painting or drawing artist does not need to worry that his art is endangered by AI. And, not to forget, even in front of AI, hardly an artist could live alone from his art?

Problems for photographers

The situation is different in photography. Above all, the landscape and nature photographer is forced to raise his art to a higher level and to work out more of your own manuscript, because it is enclosed by "photographs" of high quality from below. The mostly artistically working photographer can even take advantage of the AI ​​tools.

In addition, like AI art, photography must first be "printed" in any form, because the file in the digital camera cannot do anything interested in art. And the negative of an analogous photographer must first be exposed and enlarged in order to find a place as a picture on the wall.

"Everyone can do a do-it-all!"

My grandmother replied, asked what she thinks of the Beatles: "This is not art, everyone can do that, the electricity does the music" .

The assessment of works of art that was created in whole or in part with AI reminds me a little of my grandmother's statement.

"Everyone can do AI images! That works at the push of a button! You don't have to have any talent! This is not art !"

To believe that there is no effort behind a picture that was generated with the help or exclusively with AI, there is a fallacy. Many images painted in oil or acrylic are painted in half an hour, while it can take a whole night for an artistically high-quality AI picture. Apart from the fact that "effort" or "time spent" are not criteria for art.

I am convinced that hardly any of the important painters of the 20th century would have given up the artistic possibilities by KI if this option had existed at his work. But I also understand that contemporary painters and parts of the art world feel threatened and questioned by the possibilities that AI offers. You then speak the right to be art.

This picture of me entitled "Assimilation" is, for example, a melange of manual acrylic painting and AI supported image generation. The question addresses where integration ends and assimilation begins.

"Assimilation" by Otto Frühwach
"Assimilation" by Otto Frühwach

Analog and digital

I love painting with ink, oil and acrylic and other colors. On canvas, wood and everything. To create a brush, spatula etc. and works of art from all conceivable materials that can be found. But I do not put a limitation of using digital means and integrating it into my art. And the mixture of digital and analog techniques and processes is particularly attractive and interesting for me.

My conclusion: AI is just another tool that is available to artists.

Otto Frühwach
Otto Frühwach

Otto Frühwach was born in Munich in 1960. Artistically active in adolescence, he was always independent in various cultural and economic areas, always independently and as an entrepreneur, always arrested in the soul. Since the age of sixty, he has positioned active art on the center of his life and has been working with a wide variety of techniques and materials since then to create his pictures. His work is versatile, cross-styles.

"At first I look at the art like a trip around the world that I went to with a wide variety of means of locomotion. I am open to everything. After that, I will decide where I will settle."

Otto-Fruehwach.de/

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Living from art

A fundamental need for every artistically creative person is likely to be the ability to live off their art.

In order to secure your own existence, it is essential to make money with art . In fact, contrary to the majority perception, many artists can live well from their creative work these days. Nevertheless, a vast majority of all freelance artists are dependent on further sources of income (e.g. giving courses, order work, part -time jobs, etc.).

Recognition as an artist often does not bring immediate financial security. Therefore, artists are often also life artists.

The opportunities to make a living from one's own art have, however, grown significantly due to the internet and social media. As an artist, however, you must be versatile and flexible to succeed. A certain degree of perseverance is also essential.

Customer care and self -marketing are also important pillars for success as an artist .

In this section, we compile numerous articles, information, tips, and advice to help you make a living from your art.

AI Art - Art and Artificial Intelligence

In this magazine rubric you will find numerous reports and articles on the use of artificial intelligence (AI) in art , design and architecture .

It is not just about the question of how AI can be used in these areas, but also about the effects of this on creative people.

Because while some experts assume that the use of AI will lead to a revolution in art and design, there are also voices from the industry itself, which are skeptical about AI art and AI-based image generators .

An early example from 2016 for the use of AI in art is the project "The Next Rembrandt" . Software was developed here, which has created a new painting in the Dutch painter's style using data analysis - without human intervention.

The result was surprisingly realistic and already clearly showed the potential of this technology.

What does this development mean for traditional craftsmanship? Are they unnecessary or can new options be created?

Many people deal with these questions equally within and outside of the industry.

In any case, the connection between art and artificial intelligence offers us exciting insights into possible future scenarios.

We cordially invite you to go with us together on a journey of discovery!

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