“Cultural Heritage Protection Act” : A weighty term that doesn't immediately reveal its full implications to the uninformed reader. Behind it lies a controversial idea, the content of which is currently provoking vehement resistance from the art world.
Cultural property protection law
The extent of the current debate clearly demonstrates the importance attached to this planned amendment to the law, and can be followed live #Kulturgutschutzgesetz
Twitter stream on the topic of the Cultural Heritage Protection Act (excerpt from July 16, 2015, 4:10 PM)
The planned cultural heritage protection law proposed by Minister of State for Culture Grütters is essentially a modernization of the existing cultural heritage protection law . Although the idea behind the law is, according to BR journalists and art expert Stefan Mekiska, actually honorable, it is causing a major uproar in the art world and encountering considerable resistance from dealers, collectors, and artists.
It aims to keep cultural assets of national importance within the country. However, there is a risk that this will restrict the freedom of cross-border exchange.
The following articles will explain the topic and its controversial aspects in more detail and summarize the key points:
1) tagesschau.de: Dispute over cultural heritage protection law – exodus for the German art scene?
Expropriation of artists – or necessary protection of national cultural heritage? Opinions are divided on the planned reform of the Cultural Heritage Protection Act.
When one of Germany's most renowned contemporary artists demands the return of works he has loaned to German museums, the outrage is bound to be considerable. The painter Georg Baselitz is doing just that, and other artists and art patrons intend to follow his example – in protest against the planned reform of the Cultural Heritage Protection Act. They fear losing the rights to their works.
The trigger is the plans of Minister of State for Culture Monika Grütters (CDU), who wants to regulate cross-border trade in art and cultural goods more strictly and adapt it to EU law.
Now, Minister of State for Culture Grütters has defended her plans. […]
2) Bavarian Broadcasting: Cultural Heritage Protection Act – Art dealers in panic
It's a political statement: Painter Georg Baselitz is withdrawing his loaned works from German museums. The reason is the modernization of the cultural heritage protection law. It's causing an uproar in the art world – including in Bavaria.
A “violation of the constitution,” a “creeping expropriation,” and a “blatant injustice.” Konrad Bernheimer, one of Europe’s most renowned art dealers, speaks with blunt candor when he discusses the planned amendment to the Cultural Heritage Protection Act. […]
3) RP Online: Analysis – Draft law outrages the art scene
The proposed cultural heritage protection law is facing resistance from dealers, collectors, and artists. It aims to keep cultural assets of national importance within the country. However, there is a risk that this will restrict the freedom of cross-border exchange. […]
4) FAZ: Cultural Heritage Protection Act – Who is actually being harmed?
The art world is in an uproar. Because a cultural heritage protection law is being planned, Georg Baselitz is withdrawing works from German museums. Gerhard Richter and the descendants of Max Beckmann are considering similar steps. How important are long-term loans? […]
5) Süddeutsche Zeitung: Cultural Heritage Protection Act – All clear for artists and collectors
Minister of State Monika Grütters rejects criticism of the cultural heritage protection law. Nevertheless, some initial changes are being implemented: the state will no longer inspect private residences.
The new cultural heritage protection law, currently still a draft bill undergoing inter-ministerial review, has triggered a massive, almost seething, uproar. Minister of State for Culture Monika Grütters, who has been strongly advocating for the amendment for weeks, is clearly not taking the protests lightly.
At a press conference on Wednesday, she defended the law once again, but despite her determination, she made it clear how much the criticism affected her. […]
Owner and Managing Director of Kunstplaza. Journalist, editor, and passionate blogger in the field of art, design, and creativity since 2011. Successful completion of a degree in web design as part of a university study (2008). Further development of creativity techniques through courses in free drawing, expressive painting, and theatre/acting. Profound knowledge of the art market through years of journalistic research and numerous collaborations with actors/institutions from art and culture.
We use technologies like cookies to store and/or access device information. We do this to improve the browsing experience and to show (non-)personalized ads. If you agree to these technologies, we can process data such as browsing behavior or unique IDs on this website. The refusal or withdrawal of consent may adversely affect certain features and functions.
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Always active
Die technische Speicherung oder der Zugang ist unbedingt erforderlich für den rechtmäßigen Zweck, die Nutzung eines bestimmten Dienstes zu ermöglichen, der vom Teilnehmer oder Nutzer ausdrücklich gewünscht wird, oder für den alleinigen Zweck, die Übertragung einer Nachricht über ein elektronisches Kommunikationsnetz durchzuführen.
Vorlieben
Technical storage or access is required for the lawful purpose of storing preferences that have not been requested by the subscriber or user.
Statistiken
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance by your internet service provider, or additional records from third parties, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
Die technische Speicherung oder der Zugriff ist erforderlich, um Nutzerprofile zu erstellen, um Werbung zu versenden oder um den Nutzer auf einer Website oder über mehrere Websites hinweg zu ähnlichen Marketingzwecken zu verfolgen.