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Art & visibility: How social media is used for marketing

Tito
Tito
Thu., May 22, 2025, 17:09 CEST

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The quality of your art decides on its depth. But their range decides whether it is seen. This is precisely why social media is no longer a Nice-to-have tool for artists, but should be an elementary part of the marketing strategy.

Platforms such as Instagram , Tikkok , Pinterest or even LinkedIn offer opportunities to make your work of a wide layer of interested people accessible. However, this only works if you know the mechanisms of these social platforms and know how to use it.

Why social media has become indispensable for artists

Ateliers have walls. Not social media. These platforms make it possible to create visibility with a little initial effort and stamina, for which galleries, trade fairs or expensive advertising measures were necessary. Access to attention has changed fundamentally with the spread of social media. Since the competition for likes, views and clicks has increased enormously, it is important to proceed in a structured manner. And to understand what works.

Art & visibility: How social media is used for marketing
Art & Visibility: How social media is used for marketing
photo by Viralyft @viralyft, via Unsplash

Specific advantages of social media as a marketing channel:

  • Why social media has become indispensable for artists
  • Choose the right platform: What fits with whom?
    • Instagram: visual shop window with a strong community
    • TIKTOK: For brave artists with process focus
    • Pinterest: Evergreen for visually searching users
    • LinkedIn: For professional positioning
  • What really matters: strategy instead of actionism
  • Content that works: do not post, but tell
  • Hashtags, timing and relevance
  • The underestimated factor: community building
  • Visibility can be planned
  • Art deserves stage - and needs strategy
  • Your target group is already active: On average, social media is used for 143 minutes a day
  • Direct contact with collectors, curators, buyers
  • Independence of classic structures
  • Realtime feedback to style, techniques and motifs
  • Network structure with other artists worldwide

But: Visibility is not guaranteed with the mere presence in social media. You need a clear plan on how to play platforms - and not just "post content" .

Choose the right platform: What fits with whom?

Not every platform is suitable for any kind of art or artist personality. Here is a brief overview of the start:

Instagram: visual shop window with a strong community

Ideal for painting, illustration, photography, sculpture - visual disciplines that work as a single picture or series. Instagram lives from aesthetics, but also of personality. Stories and Reels offer space for work processes, insights into the studio or small statements.

Algorithm-Basics:

  • Interaction (comments, shares, saves) weighs more than likes
  • Reels are pushed more than static pictures
  • Consistency beats: prefer regularly, instead of irregularly viral

TIKTOK: For brave artists with process focus

Art that works in motion - or can be told about context - works extremely well here. Tikok rewards creativity , speed and personality. Who z. B. explained his painting technology or that material errors are humorously discussed, often reaches a new target group quickly.

Algorithm-Basics:

  • Contents are not only shown to follow followers, but the "for you" feed
  • Watchtime is crucial - remains relevant until the last second
  • First interactions (likes, comments) in the first 30–60 minutes are critical

Pinterest: Evergreen for visually searching users

Is often underestimated, but is ideal for artists with a strong visual portfolio. Good pins rank for months or years. Anyone who offers series, tutorials or motifs can build up a long -term range here.

Algorithm-Basics:

  • Quality of the pictures and keyword descriptions
  • Pins with a link to shop or portfolio create real traffic
  • Regular pinnacles (5–15 pins/day) recommended

LinkedIn: For professional positioning

Less for sale, more for orders, projects or institutional visibility. Artists who want to work with educational institutions, foundations, galleries or agencies benefit here.

Algorithm-Basics:

  • Posts with personal insights, project reports or statements perform well
  • Comments create above -average visibility
  • External links lower range - better over comments

What really matters: strategy instead of actionism

You don't have to be active everywhere. But you should understand where your target group is - and how you can reach them.

A few questions about orientation:

  • Who should see your art? Buyer? Curators? Art interested?
  • What do you want to achieve Sales? Visibility? Cooperations?
  • Which platform fits your way of working - fast, experimental, long -term?

Set clear goals per platform. And above all: develop content that suits it. "

Content that works: do not post, but tell

People don't buy pictures. You buy stories. Meaning. Emotion. Attitude.
People don't buy pictures. You buy stories. Meaning. Emotion. Attitude.
Photo by Daria Nepriakhina 🇺🇦 @epicantus, via unsplash

People don't buy pictures. You buy stories. Meaning. Emotion. Attitude. And that is exactly what you can transport with content - not through advertising language, but through real, authentic insights.

Formats that work for artists:

  • Process videos: From the white sheet to finished work
  • Ketching sketches: Why this motif? Why this medium?
  • Comparison posts: early work vs. today - make development visible
  • Community questions: What color next? Which series continue?

The algorithm loves interaction. But only if she is honest. Do not post any questions that you don't want to answer. Don't show everything - but what triggers something.

Hashtags, timing and relevance

Yes, hashtags work - if they are used in a targeted manner. Combine big (#art, #painting, #contemporaryart) with niche haashtags (#mixedmediaabstract, #berlinkunst, #Oiloncanvasaily). Pay attention to regional variants, especially at events.

Post if your target group is active - not only when you're done. In the morning or evening, new posts often work better than in the middle of the day. Test, analyze, fit.

The underestimated factor: community building

Follower are not fans. Comments are not a community. Only through real interaction arises - and this brings visibility and sales in the long term.

  • Do not react to comments with emojis, but with words.
  • Comment even with other artists - honestly, without expectation.
  • Share works others when they inspire you. You are not in competition - you are part of a network.

Visibility can be planned

Sometimes a targeted thrust is needed to get to the algorithm - especially with new accounts or if you want to launch an important project. In such cases, it can make sense to set up social proof. The targeted purchase of real Instagram followers , likes or comments can be a strategic tool to build social proof and generate initial attention. It is important that they fit the content and are credible. So you ensure the necessary initial impulse so that the algorithm shows your content at all - and can follow real commitment.

You don't need millions of followers. You need visibility in the right people. And it arises from:

  • Platform understanding
  • Content with depth
  • Strategic timing
  • Continuous commitment

If you curate social media like a gallery - with a concept, attitude and consequence - you are not only seen. You will be found.

Art deserves stage - and needs strategy

As an artist you do creative work. But when nobody sees her, she stays in the studio. Social media is a powerful tool to create direct visibility - not by volume, but through clarity.

Use the platforms that suit you. Not only tell stories - show them. And do not make the algorithm an enemy, but the tool. Because range is not a matter of luck. It is a question of planning, structure - and constant repetition of things that work.

Tito
Tito

Freeler artists since 2005.

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