1805 - 1868, the Austrian writer is one of the most important authors of Biedermeier . Generations of students would rather advocate the title "Borest Author of the Planet"-with a series of over-60 word sentences such as this:
"Due to the fragrant blue whale pressing even more brilliant, it is clamped in the valley winds, first visible, first a light thread, then a fluttering tape, and finally a wide silver bond around the curvature of dark forest breasts- then before they recently grinded black fir and pine roots, it flows out into a light on the time, which is visible like a tenderly eye in the mourning the mourners. "
Ferdinand Georg Waldmüller - Portrait Adalbert Stifter
( The Hochwald, page 1 ) he actually shows his limits to the most enthusiastic German teacher ...
At that time, the Stifter himself worked as a pedagogue, the article by the literary scholar Albrecht Koschorke gives the success of his efforts: "Education for suicide: Adalbert Stifter's pedagogical realism" ( D-nb.info/109578169/34 ).
Less known is a founder than an art -loving and artful person: from 1853 he, as the state conservator for Upper Austria, brought about the preservation and restoration of beautiful works of art such as the Kefermarkter wing altar; The persistence of the cityscape of Steyr should also go back to founders.
Gothic Kefermarkter wing altar
Steyr Panorama Winter by Christianhandl [CC BY-SA 3.0]
During the 1850s, Stifter also got involved with founding president Johann Nepomuk Graf Ungnad von Weißenwolff for the establishment of the Upper Austrian Art Association and the art associations of the Upper Austrian State Gallery (the first gallery in the entire German area, which emerged from the people and was dedicated to the people).
Stifter started painting early, chronological ordered illustrations of his paintings from 1823 to shortly before his death can be found here: to visit the picturesque work A successful view of his short and unfulfilled life in the following video:
Stifter is still part of reading for everyone today, at least occasionally, which the art of the German language wants to grasp more than superficially. However, he survived as a direct model because the attention span of the Twitter-trained average reader extends to the first comma of a founder sentence.
For this, Stifter wrote the most beautiful literary gift idea for sadists: the "Nachsummer" , 1000 pages with guaranteed less plot than Musil's man without characteristics that the tortured reader at some point "counts the individual words as they drop into the ocean of eternity" . (Based on a founder quote that spoke of hearing and silence and minutes).
It is rather surprising that nutritionist Adalbert Stifter has not yet discovered as a deterrent example: with six meals daily, second breakfast from schnitzel with potato salad, six trout for the starter and three -way main course including an entire fried duck, he freely ate a liver cirrhose to end his life with 62 - rarely becomes so precise understandable demonstrated what the delicious roast from the pan and oven can do to the entire metabolism.
Owner and Managing Director of Kunstplaza. Publicist, editor, and passionate blogger in the field of art, design, and creativity since 2011. Successful completion of a degree in web design as part of a university program (2008). Further development of creativity techniques through courses in free drawing, expressive painting, and theater/acting. Profound knowledge of the art market through many years of journalistic research and numerous collaborations with actors/institutions from art and culture.
Like any subject area, art also has a wealth of specialised terminology, expressions, abbreviations, and foreign words.
In this section, we would like to introduce you to some of the most important and common terms from time to time.
You will be able to learn and deepen your understanding of a range of information, definitions, liturgical terms, notes, common technical terms and their abbreviations, as well as concepts from art theory, art history, and art philosophy.
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