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How art lessons help children understand other subjects

Joachim Rodriguez y Romero
Joachim Rodriguez y Romero
Wed., December 17, 2025, 3:12 PM CET

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Art classes in German schools often still suffer from the reputation of being merely a break from "hard" academic material. While mathematics, science, and languages ​​are considered the pillars of education, artistic education is often seen as a nice add-on – good for creativity, but not very relevant to grades in core subjects.

This view, however, overlooks the cognitive reality of learning. Neurological studies and educational practice alike demonstrate that engaging with art fosters complex thought patterns that can be directly applied to understanding other disciplines. Learning to compose a picture simultaneously develops skills in structuring, analyzing, and problem-solving.

The mechanisms at play here are subtle, yet effective. It's not primarily about whether a child is talented at drawing, but rather about how the brain is networked during the artistic creative process. These cognitive connections are what make art a catalyst for academic success.

Training perception as a foundation

Before a student can grasp complex concepts in biology or physics, they need a keen sense of observation. Art class is the primary place where this ability to see closely is cultivated. A child attempting to draw an object realistically must learn to distinguish between what they see and what they think they know. They must identify lines, shadows, and negative space, rather than simply drawing symbolic placeholders.

Our topic: How art lessons help children understand other subjects
Our topic: How art lessons help children understand other subjects.
Photo by CDC @cdc, via Unsplash

This ability for visual differentiation is just as important for literacy acquisition in elementary school as it is for the analysis of diagrams in high school. Learning to distinguish subtle nuances in color or shape in art class trains neural pathways that are also active when recognizing letters or mathematical symbols. If deficits arise in this area, parents often only notice them later in other subjects.

In such cases, it may be advisable a suitable tutor who specifically works on these perceptual weaknesses, but the art room often already does the preventive work.

Furthermore, working with different materials – clay, paper, wire – promotes fine motor skills to a degree that typing on tablets cannot. Well-developed hand-eye coordination is the physiological prerequisite for neat handwriting and technical drawing.

Geometry and spatial reasoning: Hands-on mathematics

The connection between art and mathematics is historically deeply rooted; one need only think of the golden ratio or the central perspective of the Renaissance. In modern teaching, this connection is often overlooked, yet it is omnipresent. When students learn to represent three-dimensional objects on a two-dimensional surface, they are engaging in applied geometry . They must understand concepts such as vanishing points, foreshortening, and angle ratios, not through abstract formulas, but through visual logic.

An understanding of symmetry, patterns, and proportions develops almost intuitively when drawing. If you're drawing a portrait and misjudge the distances between the eyes, nose, and mouth, you'll receive immediate visual feedback: the picture looks "wrong ." This direct feedback helps the brain grasp proportion.

In mathematics lessons on the intercept theorem or vector calculus, students often unconsciously draw on this spatial reasoning ability. Abstract numerical systems become tangible when the brain has learned to manipulate space and form. It is no coincidence that many architects and engineers possess strong artistic inclinations – both fields require the construction of mental worlds.

Historical context and cultural empathy

History is more than dates and battles. To truly understand past eras, one must grasp the spirit of the times, the fears, hopes, and lived realities of the people of that era. Works of art are historical documents of the highest order. A painting by Otto Dix reveals more about the horrors of the First World War and the social coldness of the Weimar Republic than many a textbook chapter. Analyzing artworks in the classroom cultivates visual literacy —the ability to decipher images as carriers of information.

Students learn to decipher visual codes: Why was Napoleon portrayed in a certain way? What does the architecture of a Gothic cathedral reveal about the religious understanding of the Middle Ages? This analytical approach aligns closely with the requirements of history and political science classes. Students learn to critically examine sources, recognize propaganda, and incorporate the cultural context into their evaluations.

Furthermore, engaging with art from other cultures fosters empathy. Those who immerse themselves in the visual language of Japanese woodblock prints or African masks open themselves to alternative perspectives on the world. This cultural flexibility is highly valuable in subjects such as geography, social studies, and religion, as it helps to overcome ethnocentrism and to consider global issues from multiple perspectives.

The scientific method in the studio

It may seem contradictory at first glance, but artistic work and scientific research often follow similar patterns: observation, hypothesis, experiment, result. When mixing colors, children learn practically applied color theory, which is nothing other than physics (optics). They learn how light refracts, how pigments interact, and how the human eye processes these stimuli.

Materials science, too, is pure chemistry. How does watercolor paint react on different types of paper? Why can't oil be mixed with water? When working with pottery, students experience the physical changes of state from soft to solid during the firing process. These phenomenological experiences create connections to chemistry and physics lessons. For a child who has experimented artistically, concepts like viscosity, adhesion, or oxidation are not abstract vocabulary, but rather lived reality.

Botanical drawing, in turn, compels an engagement with plant anatomy that is more precise than any fleeting glance. Anyone who has to draw a flower recognizes the structure of the pistil, stamens, and sepals in detail. Here, art sharpens the eye for the biological diversity and functional structures of nature.

Language, interpretation, and expressiveness

An often underestimated aspect is the influence of art on language skills. Looking at a work of art is one thing; talking or writing about it is another. In art classes, students are regularly asked to present their work, explain their intentions, or analyze other people's paintings. This requires a precise vocabulary. One has to learn to translate abstract visual impressions into concrete language.

This transfer of knowledge – from image to word – is an excellent exercise for teaching German and foreign languages. Interpreting a poem requires similar skills to interpreting a surrealist painting: one searches for symbols, metaphors, and hidden meanings. Those who have learned that the color red in a picture can represent love, anger, or danger also understand more quickly how literary motifs function.

The narrative element of art also aids in understanding narrative structures. A picture often tells a story, has protagonists, and conveys a mood. Comics or storyboards created in art classes teach the construction of plot lines, arcs of suspense, and character development, which has a positive impact on essay writing.

Resilience through the creative process

Perhaps the most important factor, influencing all subjects, is how we deal with mistakes. In mathematics, there is often only right or wrong. In art, however, a "mistake" is often the beginning of something new. A runny blob can seem ruined—or it can become the starting point for a new idea. This process requires flexibility and frustration tolerance.

In the art studio, students learn that the first draft is rarely the best. They demonstrate patience and perseverance. Completing a piece, even when things get difficult, strengthens the brain's executive functions. This self-regulation is essential in every school subject, whether learning complex vocabulary or solving lengthy equations. The realization that effort and revision lead to a superior result is known in psychology as a "growth mindset ." Art lessons provide an ideal training ground for this attitude, as the result is visible and tangible.

The ability to think divergently—that is, to find multiple possible solutions to a problem—is strongly encouraged here. While the rest of the school day often rewards convergent thinking (finding one correct solution), art celebrates the diversity of approaches. In an academic and professional landscape that increasingly demands complex problem-solving, this mental agility is a crucial advantage.

Art education thus serves as a space for integration. It links the rational thinking of the natural sciences with the emotional intelligence of the humanities and the physical dexterity of crafts. It is not an isolated subject, but a link that lends depth and context to academic knowledge. If we take art seriously in schools, we give children tools that extend far beyond drawing – we give them keys to understanding the world.

Owner and Managing Director of Kunstplaza. Publisher, editor and passionate blogger in the field of art, design and creativity since 2011.
Joachim Rodriguez y Romero

Owner and Managing Director of Kunstplaza. Publicist, editor, and passionate blogger in the field of art, design, and creativity since 2011. Successful completion of a degree in web design as part of a university program (2008). Further development of creativity techniques through courses in free drawing, expressive painting, and theater/acting. Profound knowledge of the art market through many years of journalistic research and numerous collaborations with actors/institutions from art and culture.

www.kunstplaza.de/

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